Sarah Abbott

My Heart the Prophet

Sarah Abbott, Jeremy Drummond

Sarah Abbott

Abbott reflects on her unfortunate experience with childhood love.

KNEE LEVEL

Tanya Boggs, Sarah Abbott

Tanya Boggs

A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.

HERE

Sarah Abbott

The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).

My Heart the Lunchbox

Sarah Abbott, Jeremy Drummond

Jeremy Drummond

Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.

PATCHING

Sarah Abbott

PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.

My Withered Tomato Friend

Sarah Abbott, Michelle Harrison

A haunting, experimental narrative that merges the roaming voice of a battered wife with popular images of women to question the conventional ideology of representation and the denial of domestic violence. Alternating between provocative poetry and submissive prose, the voice echoes terrifying thoughts of the abused woman while gradually deconstructing - and reconstructing- manipulated found footage.

LOOKING BACK TO SEE

Sarah Abbott

LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.

rug

Sarah Abbott

An erotic poem, a video camera is accidentally left on during a thunderstorm.

The Light in Our Lizard Bellies

Sarah Abbott

Susanna Hood

Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.