Georges Rey

Jean-Paul Fargier vidéo

Georges Rey

Jean-Paul Fargier

Humorous portrait of the great specialist of video art in France. From one of his lectures only the silences remain. It's up to us to imagine what he might have said about video art. Removing speeches on video to become video.

La Source de la Loire

Georges Rey

For La Source de la Loire, I was in Paris, looking for a job... All the time, the word source followed me (it turns out that my grandparents lived near the source of the Loire.) The word source escapes the world, it gives without taking anything. Suddenly the autumn, it was necessary to shoot, but it was not for me, it had to become a necessity, one has to be wary because that is not what is in the film.

Microfilm

Pierre Jaubert, Georges Rey

An action limits the film, the swing of a microphone over a speaker modulates the sound of the action. A staging that will not do what one surprises oneself to expect.

Fumée

Georges Rey

The real is consumed and goes up in smoke. All that's left is an elusive shape, endlessly transforming. The frame limits its ascent to the top, depriving us of its disappearance in the air.

L'amour la plus grande imposture de tout les temps

Georges Rey

Evolutionary film that focuses on culture and nature. Ants, Cézanne, Picasso, Sainte-Victoire, Avignon, Place de l'Horloge, Venice and its canals, Carmen, La Tosca, Gros Caillou de la Croix-Rousse, Toulouse, Mirail, swimming...

Portrait

Georges Rey

Initially subtitled "Hollywood is dead", PORTRAIT is a fixed shot of a woman turning towards the viewer.

La vache qui rumine

Georges Rey

First she cows, then she cows. Standing shot of a cowing cow which plays with the flimmaker and so with the audience. The ruminating cow is part of a triptych, made up of the naked man, the source of the Loire, and the ruminating cow. The first one refer to the future, the second one to the past and the last one to the present.

Triptyque

Georges Rey

Three portraits, in relation to the Punk spirit, of Didier Ozil dressed in black, aggressive air, Gabriel Pouget, expressive in his passivity, Stéphane Varinard, puts charcoal on his face to disappear. Superimposed on the faces, the group Marie and the boys, the play of lights inside the Le Palace club in Paris and a country cemetery.

L'homme nu

Georges Rey

Travelling forward on a naked man who disappears into the light. The combination of two movements - a travelling shot and an increase in light - leads to the cancellation of the movement.

L’homme nu

Georges Rey

A naked man disappears into the light.

La source de la Loire

Georges Rey

For La Source de la Loire, I was in Paris, looking for a job... All the time, the word source followed me (it turns out that my grandparents lived near the source of the Loire.) The word source escapes the world, it gives without taking anything. Suddenly the autumn, it was necessary to shoot, but it was not for me, it had to become a necessity, one has to be wary because that is not what is in the film.

Portrait

Georges Rey

No More Reality

Georges Rey

Philippe Parreno

A static shot which lasts 38 minutes and portrays Philippe Parreno as a multilingual lecturer, whose topics include Philippo Lippi and Buren.

Ronds dans l'eau

Georges Rey

Between dog and wolf, stones are thrown into perfectly still water. The sound of a dredger off-screen disrupts the complete silence of the place.

Les ronds dans l'eau

Georges Rey

Between dog and wolf, stones are thrown into perfectly still water. The sound of a dredger off-screen disrupts the complete silence of the place.

Canards

Georges Rey

Work with the most banal image possible, such as the images of the Post Office calendars.