Astrid Holm
1893 - 1961Astrid Holm made her screen debut for Dansk Filmfabrik in 1917's Søstrene Morelli (The Sisters Morelli) and the following year was under contract to Nordisk Film. Her first film for Nordisk was a role in the 1918 Holger-Madsen-directed Folkets Ven (The People's Friend), opposite Gunnar Tolnæs and Svend Kornbeck. This was followed by several popular films for Emanuel Gregers. One of her most popular roles was as Sister Edith in the 1921 Victor Sjöström-directed Swedish silent Körkarlen (The Phantom Carriage). The film was based on the 1912 novel Thy Soul Shall Bear Witness! by Nobel prize-winning Swedish author Selma Lagerlöf. In 1925 she starred opposite Johannes Meyer in the Carl Theodor Dreyer-directed drama Du skal ære din hustru (Thou Shalt Honor Thy Wife). This would be Holm's last film role for many years.
Astrid Holm returned to film in 1942's Ta' briller på, directed by Arne Weel and starring Liva Weel and Hans Egede Budtz. She would appear in four more films throughout the 1940s before retiring from the screen due to failing health. Her final film appearance would be in the 1947 Holger Gabrielsen-directed Mani.
Astrid Holm was married to ballet dancer Holger Holm, who died in 1916. During the 1950s, she became reclusive, suffering from a number of ailments. She died in 1961 at age 68.
Körkarlen
Victor Sjöström
Victor Sjöström, Hilda Borgström
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom Chariot, that picks up the souls of the dead.
The Phantom Carriage
Häxan
Benjamin Christensen
Maren Pedersen, Elith Pio
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
Häxan
Diskret ophold
Ole Palsbo
Ib Schønberg, Betty Helsengreen
In order to supplement the family income, Marius Bastrup rents his unused rooms to young women looking for a "discreet stay." The drama in the film revolves around the young women and their circumstances, especially as it relates to one girl's abortion.
Discretion Wanted
Mod lyset
Holger-Madsen
Asta Nielsen, Augusta Blad
Countess Ysabel is a young and rich woman with many suitors. An elegant and adventurous baron has managed to win her heart, but she anyway continues to play with other men’s feelings. Nemesis hits her when a young man with a broken heart kills himself, and the baron at the same time reveals a horrible secret. Ysabe'ls world seems to fall apart.
Towards the Light
Folkets ven
Holger-Madsen
Gunnar Tolnæs, Svend Kornbeck
The social storm after World War I divides the people. In the eye of the storm are three brothers fighting for the lower classes, each in his own way. Waldo the blacksmith wants a world revolution by power and violence. Ernst the typographer is convinced that knowledge and understanding, enlightenment and education is the way to go. And Kurt the ethereal watchmaker sees society as a malfunctioning clockwork that can be fixed by a simple yet drastic intervention.
A Friend of the People
