
Latif Ahmadi
2021The Forbidden Reel
Ariel Nasr
Ahmed Zahed, Adbul Rasool Khalaqi
According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
The Forbidden Reel
What We Left Unfinished
Mariam Ghani
Latif Ahmadi, Said Miran Farhad
About five never completed films made between 1978 and 1992 before the backdrop of the various communist regimes that came to power in Afghanistan. Scenes from these films, some of which later reused in other works, are edited together with current footage of their locations and commentaries by the filmmakers and actors involved in the productions, allowing us to dive into action films and romantic dramas that revolve around local histories and conflicts.
What We Left Unfinished
Sangsar
Latif Ahmadi
Based on a true story about a warlord who rapes the wife of an exiled man resulting in her pregnancy. To keep her shameful secret, the woman goes to her father’s house for the delivery. However there she finds out that the warlord has used his might and is planning a marriage with her 13 year old sister. To prevent his own disgrace and to ensure that the marriage goes ahead, the warlord orders his rape victim stoned for obviously having illegal extra-marital relations.
Stoning