Irandhir Santos
1978 (47 лет)The History of Eternity
Camilo Cavalcante
Irandhir Santos, Marcélia Cartaxo
In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.
The History of Eternity
Elite Squad: The Enemy Within
José Padilha
Wagner Moura, Irandhir Santos
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.
Elite Squad: The Enemy Within
Aquarius
Kleber Mendonça Filho
Sônia Braga, Maeve Jinkings
Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.
Aquarius
Cinema, Aspirinas e Urubus
Marcelo Gomes
João Miguel, Peter Ketnath
1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.
Cinema, Aspirins and Vultures
Tatuagem
Hilton Lacerda
Irandhir Santos, Jesuíta Barbosa
Paulete, the star of a daring theater group, is visited by his military brother-in-law, the young Fininha. A torrid relationship arises between the two, and now the soldier must deal with the prevailing repression during the Brazilian military dictatorship.
Tattoo
Amigos de Risco
Daniel Bandeira
Irandhir Santos, Rodrigo Riszla
After years on the run, Joca is back again in town. And, to commemorate, nothing better than a night on the tiles with his good friends Nelsão and Benito. However, the happy occasion turns to a nightmare when Joca is suddenly taken ill. With no money, no transportation or communication, his friends now have to carry him through the deserted town to the closest hospital. A race against the clock is about to begin, with umpteen surprises and enough to shake the firmest of bonds of friendship.
Amigos de Risco
Viajo Porque Preciso, Volto Porque Te Amo
Marcelo Gomes, Karim Aïnouz
Irandhir Santos
José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.
I Travel Because I Have to, I Come Back Because I Love You
Febre do Rato
Cláudio Assis
Irandhir Santos, Nanda Costa
Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.
Rat Fever
The Time and Turn of Augusto Matraga
Vinicius Coimbra
João Miguel, José Wilker
Based on Guimarães Rosa's (classic Brazilian author) short story, the movie tells the story of Augusto Matraga, a bankrupt and violent farmer who lives above the Law in Minas Gerais' hinterland. During a difficult time, he finds himself in the middle of a trap that nearly kills him. Born again, Matraga resorts to faith and hard work in the pursuit of redemption. Years later, he arrives at the village reigned by the hinterland's ruler and his thugs. This new friendship will challenge his destiny. Inside Matraga, the Saint and the Warrior will duel until his time comes.
The Time and Turn of Augusto Matraga
Blue Eyes
José Joffily
David Rasche, Irandhir Santos
Before his compulsory retirement, on his last day of work, Marshall, JFK airport's chief Immigration officer, detains a group of Latin Americans and expose them to a series of humiliating situations. Blinded by prejudice, Marshall ends up by causing the death of a young Brazilian. After a period in prison, Marshall goes to Brazil, deadly ill and in a desperate search in order to purge his guilt. In his quest, he is guided by Bia, a young prostitute.
Blue Eyes
Redemoinho
José Luiz Villamarim
Irandhir Santos, Júlio Andrade
Luzimar cycles each day to and from work at the local cotton mill in his hometown of Cataguases, Minas Gerais, Brazil. He is a hard-working man, trying to make the most of what he has. One day, his childhood friend Gildo reappears, driving a fancy car and boasting of his successful life in São Bernardo do Campo, São Paulo. As the two sit down for a beer, memories, regrets and old resentments slowly resurface.
Whirlpool
Piedade
Cláudio Assis
Matheus Nachtergaele, Fernanda Montenegro
The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.
Mercy
Fim de Festa
Hilton Lacerda
Irandhir Santos, Hermila Guedes
Returning early from his vacation after the Carnival period to investigate the murder of a young French tourist, Breno Wanderley is faced with possible reflections of his own history from which he cannot escape. Between Ash Wednesday and post-Carnival Sunday, Breno tries to unravel the crime and sees in his son, also called Breno, a chance to reinvent himself in a broken and sullen city.
Party Over
A Luneta do Tempo
Alceu Valença
Irandhir Santos, Hermila Guedes
Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.
The Telescope of Time
