
Anna Bonaiuto
1950 (76 лет)Blu cobalto
Gianfranco Fiore Donati
Anna Bonaiuto, Enrico Ghezzi
Docu-drama about cancer patients. An elderly farmer, believed to be mad by his family, dispenses wisdom to the other patients; an actress takes advantage of the hospitalization to shed light inside herself; a young doctor lives with schizophrenia his condition as a patient.
Blu cobalto
Sabato, domenica e lunedì
Paolo Sorrentino
Anna Bonaiuto, Alessandra D'Elia
Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.
Saturday, Sunday & Monday
d'amore e d'anarchia
Lina Wertmüller
Giancarlo Giannini, Mariangela Melato
Set in Fascist Italy before the outbreak of World War II, the story centers on Tunin, a farmer turned anarchist who stays in a brothel while preparing to kill Benito Mussolini. There he falls in love with one of the whores.
Love and Anarchy
Il Divo
Paolo Sorrentino
Toni Servillo, Anna Bonaiuto
Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
Il Divo
Giovanni Falcone
Giuseppe Ferrara
Michele Placido, Anna Bonaiuto
The story of the first ever "anti-mafia judges pool" established in the '80s at the Palermo Courthouse, in Sicily, in the '80s, while two mafia families started a 10-year-long war to obtain the complete control of smuggles.
Giovanni Falcone
My Brother Is an Only Child
Daniele Luchetti
Elio Germano, Riccardo Scamarcio
Accio and Manrico are two working-class brothers in 1960s Italy: older Manrico is handsome, charismatic, womanizing, and loved by all, while younger Accio is moody, hotheaded, and lives everything as if it was a war, much to his parents' chagrin. While the former is drawn into left-wing politics, Accio joins the fascists out of spite. His flimsy beliefs are put to test when he falls in love with Manrico's like-minded girlfriend.
My Brother Is an Only Child
Loro 2
Paolo Sorrentino
Toni Servillo, Elena Sofia Ricci
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
Loro 2
Teresa la ladra
Carlo Di Palma
Monica Vitti, Stefano Satta Flores
Teresa gets her first taste of crime -- and its consequences -- when, during World War II, she is nabbed for robbing an apartment. But being poor and perpetually starving, the pretty petty thief doesn't give up her quest for ill-gotten gains and soon turns to pick-pocketing. Despite her questionable thieving skills, the bumbling crook tries scheme after scheme, pilfering from strangers and dodging the law as she searches for a way to fund an adequate meal.
Teresa the Thief
Long Live Freedom
Roberto Andò
Toni Servillo, Valerio Mastandrea
The elections are approaching and the largest opposition party in the country do not look good. Its leader, Enrico Oliveri can not stand the pressure and disappears. Fearing a scandal, the eminence grise of the party had brought into play the twin brother of the politician. Even if looks like two drops of water with his brother Giovanni may have a different personality. His ideas are innovative and direct approach to get the party in the polls ...
Long Live Freedom
Loro 1
Paolo Sorrentino
Toni Servillo, Elena Sofia Ricci
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
Loro 1
Loro
Paolo Sorrentino
Toni Servillo, Elena Sofia Ricci
Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.
Loro
Morte di un matematico napoletano
Mario Martone
Carlo Cecchi, Anna Bonaiuto
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.
Death of a Neapolitan Mathematician
The Caiman
Nanni Moretti
Silvio Orlando, Margherita Buy
Bruno Bonomo was a famous producer of B-movies in the ‘70s. After a long hiatus, Bonomo offers a screenplay to RAI centered on the figure of Italy’s prime minister and media tycoon Silvio Berlusconi, a subject so controversial that even the public television broadcaster refuses to produce it
The Caiman