Pedro González-Rubio

Tierra mía

Pedro González-Rubio

A sensory approach on the hands that work the earth, heirs of a language and an ancestral knowledge to never forget the roots.

Alamar

Pedro González-Rubio

Jorge Machado, Roberta Palombini

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

Toro Negro

Carlos Armella, Pedro González-Rubio

Intimate and fascinating portrait of Fernando, also known as El Suicida and El Negro, a bull fighter in the slums of the Mexican Yucutan Peninsular. Sometimes he is a charming host to the film makers, often he is known blind drunk and aggressive towards his wife. He isn't old but he's already covered in psychological and physical scars.

Inori

Pedro González-Rubio

Sakae Hukui, Tetsuo Yanase

Director Pedro came to Japan in April 2011, started shooting in the village Totsukawa of Nara Prefecture. He, as Himotoku, began to spin the story with his camera instead of a brush…

Ícaros

Pedro González-Rubio

In the late 1970s, Marcel fled Catalonia to avoid conscription into the Spanish military. For 30 years he has been living in the tropical forests of Costa Rica, where he hosts ayahuasca ceremonies for young seekers from the West.

3.11 A Sense of Home

Isaki Lacuesta, Catherine Cadou

Go Ah-sung, Ana Torrent

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

Antígona

Pedro González-Rubio

A group of UNAM students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theater and fiction are interwoven following the montage in the halls, in their homes, in public spaces and surrealist landscapes of the city.