Betty Gofman
1965 (60 лет)
Amélia
Ana Carolina
Béatrice Agenin, Marília Pêra
Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro. After arriving, she is forced to stand the company of Amélia's exotic sisters.
Amélia
Cronicamente Inviável
Sérgio Bianchi
Dan Stulbach, Dira Paes
Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.
Chronically Unfeasible
Eclipse
Herbert Brödl
Matheus Nachtergaele, Betty Gofman
The writer Pia and the painter Gil live by the Rio Negro deep in the Amazon jungle. One night, during a lunar eclipse, Pia is murdered. Her death plunges Gil into a world of shadows. He leaves the town by the river and does not return to the house he shared with Pia until two years later. There, Pia is present in the flood of memories that keep coming back to him, and also lives on deep in his heart. This love, the comfort it brings him, and the girl Elsa lead him out of the darkness and back into the light, back to life. And he will meet Pia's murderer. 'Eclipse' is a love story set against the background of a crime: compelling, poetic, and delicately told.
Eclipse
Natimorto
Paulo Machline
Lourenço Mutarelli, Simone Spoladore
A talent scout brings a young singer to São Paulo, intent on introducing her to a renowned conductor. As they wait for the day of the audition, they stay in a hotel room where, between coffee and cigarettes, the scout foresees the singer’s future in the cigarette pack warnings as if they were tarot cards. During all this waiting, his true intentions will be revealed.
Stillborn
Até Que a Vida nos Separe
José Zaragoza
Alexandre Borges, Júlia Lemmertz
A group of friends in Sao Paulo see each other regularly in different venues of this huge metropolis, and act as their own de-facto family. They are similar in many ways, all upper middle class professionals between 28 and 32 years of age, and very conscious of their psyche and lives. The diversity within the group however, is also remarkable. It's made up about half men and half women. The men are the most diverse, ranging from your average guy looking for love to an Afro-Brazilian womanizing rich playboy, to a conflicted homosexual, heir to a business empire. It is the friendship (Amizade) and bond between these people that the film exposes, and at the same time it explores the different personalities of this apparently homogeneous, but actually psychologically diverse group of Sao Paulo yuppies. They stick together "'til friendship should ever separate them"
Até Que a Vida nos Separe
Os Trapalhões no Auto da Compadecida
Roberto Farias
Renato Aragão, Dedé Santana
In the small town of Taperoá João Grilo and confusion Chicó live setting, addressing a sacristan and a humble baker. Everyone lives under the excesses of the bishop, the priest and the major. Until an attack on the city, all die at the hands of the bandit Severino and must stand trial in the sky, which puts everyone before God and the Virgin Mary.
Os Trapalhões no Auto da Compadecida
Kuarup
Ruy Guerra
Taumaturgo Ferreira, Fernanda Torres
This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.
Kuarup
