Lev Kuleshov
1899 - 1970Lev Kuleshov was born in 1899 into an intellectual Russian family. At the time he was born, the family became financially broke, lost their estate and moved to Tambov, living a modest life. In 1911 his father died; three years later Lev and his mother moved to Moscow where his elder brother was studying and working as an engineer. Lev Kuleshov decided to follow the steps of his father and entered the Moscow School of Painting, although he didn't finish it.
In 1916 he applied to work at the film company led by Aleksandr Khanzhonkov. He produced scenery several pictures but with time he became more interested in film theory. He co-directed his first movie Twilight in 1917. His next film was released under the Soviet patronage.
During the 1918-1920 he covered the Russian Civil War with a documentary crew. In 1919 he headed the first Soviet film courses at the National Film School. Kuleshov may well be the very first film theorist as he was a leader in the Soviet montage theory — developing his theories of editing before those of Sergei Eisenstein (briefly a student of Kuleshov).
For Kuleshov, the essence of the cinema was editing, the juxtaposition of one shot with another. To illustrate this principle, he created what has come to be known as the Kuleshov Effect. In this now-famous editing exercise, shots of an actor were intercut with various meaningful images (a casket, a bowl of soup, etc.) in order to show how editing changes viewers' interpretations of images.
In addition to his theoretical and teaching work, Kuleshov also directed a number of feature-length films. Among his most notable works is an action-comedy The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924), a psychological drama By the Law (1926) adapted from the short story by Jack London and a biographical drama The Great Consoler (1933) based on O. Henry's life and works. After directing his last film in 1943, Kuleshov served as an artistic director and an academic rector at VGIK where he worked for the next 25 years.
Lev Kuleshov died in Moscow in 1970. He was buried at the Novodevichy Cemetery. He was survived by his wife Aleksandra Khokhlova (1897—1985) — an actress, film director and educator and her son from the first marriage.
По закону
Lev Kuleshov
Alexandra Khokhlova, Vladimir Fogel
A five-person team of gold prospectors in the Yukon has just begun to enjoy great success when one of the members snaps, and suddenly kills two of the others. The two survivors, a husband and wife, subdue the killer but are then faced with an agonizing dilemma. With no chance of turning him over to the authorities for many weeks, they must decide whether to exact justice themselves or to risk trying to keep him restrained until they can return to civilization.
By the Law
Эффект Кулешова
Semen Raytburt, S. Raitburt
Lev Kuleshov, Viktor Shklovskiy
An excellent 1969 documentary, S. Raitburt’s The Kuleshov Effect, made about a year before Lev Kuleshov died, and interviewing him at length, both about his filmmaking and his far lengthier career as a teacher (including some fascinating remarks about Bertolt Brecht’s Galileo). Also interviewed is the father of Russian Formalism, Viktor Shklovsky, who worked with Kuleshov as a screenwriter on a Jack London adaptation, By the Law, in 1926.
The Kuleshov Effect
Два-Бульди-два
Nina Agadzhanova, Lev Kuleshov
Sergei Komarov, Vladimir Kochetov
Naturally, the circus milieu of 2 Buldy 2 (1929) encourages stunts. A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution. At the climax Buldy Jr. escapes the Whites thanks to flashy trampoline and trapeze acrobatics; the gaping enemy soldiers forget to shoot.
Two-Buldi-Two
За счастьем
Evgeny Bauer
Nikolai Radin, Lidiya Koreneva
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil.
For Happiness
Ваша знакомая
Lev Kuleshov
Yury Vasilchikov, Alexandra Khokhlova
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired.
Your Friend
Сорок сердец
Lev Kuleshov
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences.
Forty Hearts
Великий утешитель
Lev Kuleshov
Konstantin Khokhlov, Ivan Novoseltsev
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
The Great Consoler
Необычайные приключения мистера Веста в стране большевиков
Lev Kuleshov
Porfiri Podobed, Boris Barnet
Mr. West and his faithful bodyguard Jeddie visit the land of the 'evil' Bolsheviks. Through various mishaps, Mr. West discovers that the Soviets are actually quite remarkable people.
The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks