
Yuri Grymov
1965 (60 лет)Kollektsioner
Yuri Grymov
Aleksey Petrenko, Irina Mazurkevich
The Collector is using his massive collection of curiosities and arts to provoke and manipulate people into a different state of mind. The Collector's daughter is building her own collection, she is having an affair with three guests of her father, and they are about to make some strange discoveries.
The Mastermind

На ощупь
Yuri Grymov
Yuriy Nazarov, Natalia Naumowa
Его папа хочет стать президентом США. Дед и бабка — Брэд Питт и Анджелина Джоли. Он был слеп, а когда прозрел, увидел Андрея Малахова. Китайцы украли его отца. Единственный выбор для него — взять в руки арбалет и отомстить обидчикам. Откровенное кино от Юрия Грымова, где любой ценой побеждает любовь.
Na Oshchup

Chuzhie
Yuri Grymov
Scarlett McAlister, Viktor Bychkov
A group of American doctors travel to a war-ravaged hot spot in the Middle East in order to distribute vaccines. They clash with the Russian military presence, the Middle Eastern locals, and ultimately, themselves, as they learn that being American heroes is not so easy as they thought. Before they can save the world, they have to save themselves.
Strangers

Анна Каренина. Интимный дневник
Yuri Grymov
The film is about unforgivable happiness, about virtue that inspires hatred, about wrong thoughts and the desire to live. And about "the eternal mistake that people make, imagining happiness as the fulfillment of desire." “Anna Karenina. Intimate Diary ”is a bright modern psychological drama, an experimental adaptation of the classics of world literature. The plot of the novel by Leo Tolstoy transferred to modern realities.
Anna Karenina. The Intimate Diary

Три сестры
Yuri Grymov
Lyudmila Polyakova, Anna Kamenkova
Preserving the text of the play, the amazing dialogues, the brilliant characters, we have transposed the action into today’s Russian provinces and changed only one thing: the age of the heroes. In Anton Chekhov’s play the heroines are aged around 25; now they are 55. What does that do? The heroes’ retorts, stylistically inappropriate from today’s twenty-year-olds, are absolutely organic for the older generation, the ‘Soviet’ intelligentsia. The problems of Chekhov’s classical work concerning the search for a meaning in life, the loss of ideals, the fear before death without having achieved anything in the world, the desire to be useful to others – all these things are also a typical attribute of the Soviet intelligentsia.
Three Sisters
