Alicia Scherson
1974 (51 год)Como me da la gana II
Ignacio Agüero
Pablo Larraín, José Luis Torres Leiva
Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
Como me da la gana II
Vida de familia
Alicia Scherson, Cristián Jiménez
Blanca Lewin, Cristián Carvajal
While house-sitting for a distant cousin, a lonely man fabricates the existence of a vindictive ex-wife withholding his daughter, in order to gain the sympathy of the single mother he has just met.
Family Life
Il futuro
Alicia Scherson
Manuela Martelli, Nicolas Vaporidis
When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.
The Future
Verano
José Luis Torres Leiva
Rosario Bléfari, Francisco Ossa
During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.
Verano
Mapa para conversar
Costanza Fernández
Andrea Moro, Francisca Bernardi
An intimate play evolving around three main characters: an adult woman, her mother and her female lover. Two days in their lives occur in two opposing setting, everyday life in the demanding metropolis of Santiago and a sailboat trip cruising a beautiful bay. The three character remain trapped in a claustrophobic confrontation. The film dialogs with 'Knife in the water' from the side of women, an intense character drama with many involuntary humorous scenes. The eternal, never completed quest of seeing and recognizing the other as they are or, at least, as they want to be seen.
A Map for a Talk
Crying Underwater
Alicia Scherson
Joseph Costa, Sophia Chai
The Cell Phone Girl, The Reading Man, The Depressed Pilot and The Silent Girl wander around, inside and above O'Hare International Airport, all trying to understand how it is possible to remain in the air when one is as heavy as a plane.
Crying Underwater
