Lita Chevret
1908 - 2001
Camille
George Cukor
Greta Garbo, Robert Taylor
Life in 1847 Paris is as spirited as champagne and as unforgiving as the gray morning after. In gambling dens and lavish soirees, men of means exert their wills and women turned courtesans exult in pleasure. One such woman is Marguerite Gautier, who begins a sumptuous romance with Armand Duval.
Camille
Follow the Fleet
Mark Sandrich
Fred Astaire, Ginger Rogers
When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.
Follow the Fleet
What Price Hollywood?
George Cukor
Constance Bennett, Lowell Sherman
Sassy and ambitious waitress Mary Evans amuses and befriends amiable seldom-sober Hollywood film director Max Carey when he stumbles into her restaurant. Max invites Mary to his film premiere and, after a night of drinking and carousing, Mary is granted a screen test. A studio contract follows. Just as Mary finds her dreams coming true, Carey’s life and career begins its descent.
What Price Hollywood?
One Hour with You
George Cukor, Ernst Lubitsch
Maurice Chevalier, Jeanette MacDonald
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi's husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.
One Hour with You
After Tomorrow
Frank Borzage
Charles Farrell, Marian Nixon
In the Depression, Pete and Sidney are good kids, working hard, giving money to their parents, and engaged for three years while they save to get married. Each has a selfish mother: Sydney's is cold, Pete's is clingy. Sidney's mother is looking for her own happiness, no matter how much that search harms her daughter and long-suffering husband; and, the longer the engagement lingers, the more pressure Pete's mom puts on Sidney to break it off and set her son free. "After Tomorrow" is Pete and Sidney's favorite song, but with illness, poverty, and temptation: will that good day ever come?
After Tomorrow
The Murder Man
Tim Whelan
Spencer Tracy, Virginia Bruce
Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town. When Henry Mander is investigated for the murder of his shady business partner, Grey is one step ahead of the police to the extent that he often dictates his story in advance of its actual occurrence. He leads the police through an 'open and shut' case resulting in Mander being tried, convicted and sentenced to death. Columnist Mary Shannon is in love with Steve but she sees him struggle greatly with his last story before Mander's execution. When she starts typing out the story from his recorded dictation, she realizes why.
The Murder Man
My Little Chickadee
Edward F. Cline
Mae West, W.C. Fields
While on her way by stagecoach to visit relatives out west, Flower Belle Lee is held up by a masked bandit who also takes the coach's shipment of gold. When he abducts Flower Belle and they arrive in town, Flower Belle is suspected of being in collusion with the bandit.
My Little Chickadee
The Girl from Missouri
Jack Conway
Jean Harlow, Lionel Barrymore
Leaving Missouri to find a wealthy husband in New York City, Eadie Chapman becomes a chorus girl and soon entertains at the lavish home of millionaire Frank Cousins. Cousins proposes to Eadie, only to then commit suicide due to bankruptcy. Fellow millionaire T. R. Paige defends Eadie when the police question her for having Cousins' jewelry -- but when she becomes enamored with his son, Tom, Paige declares Eadie a gold digger.
The Girl from Missouri
