David Pountney
1947 (78 лет)Verdi Macbeth
David Pountney
Thomas Hampson, Paoletta Marrocu
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.
Macbeth
Iolanthe
David Pountney, Dave Heather
Derek Hammond-Stroud, Richard Van Allen
Strephon, a shepherd (the son of a Fairy, Iolanthe, and a mortal), is in love with Phyllis, a shepherdess. He wants to marry her, but, although Phyllis also loves Strephon, she has a dilemma - she is so beautiful that all of the House of Lords, as well as her guardian, the Lord Chancellor, are also desirous of marrying her. There are many complications - including the peers being threatened by the Fairies - before a happy conclusion is reached by all.
Iolanthe
Wolfgang Amadeus Mozart - The Magic Flute (Bregenz Festival)
David Pountney
Alfred Reiter
Opera on the Lake: “The Magic Flute” with an Enchanting Natural Backdrop One of the most frequently performed Mozart operas is the highlight of this year’s Bregenz Festival. “The Magic Flute” is performed on the world’s largest lake stage – with its impressive oversized stage setting with Lake Bodensee as a backdrop, it provides an enchanting frame for the love story between Tamino and Pamina.
Mozart: The Magic Flute (Bregenz Festival)
Johann Strauss: Simplicius
David Pountney
Michael Volle, Martin Zysset
Operetta in three acts / Sung in German Five years after Wagner's "Parsifal," Johann Strauss II presented "Simplicius" in the Theater an der Wien. Neither an opera nor an operetta, it was a work that did not fit into any of the pre-defined categories. On the 100th anniversary of the composer's death in 1999, the Zurich opera house presented a new production, the work's Swiss premiere. This production picked up on various impulses from the history of the works origin, using them to create a unique version of the piece. Here, for example, is the "Donauweibchen" incorporated shortly before the end. The Austrian-born chief conductor of the Zurich opera house, Franz Welser-Möst, has left his mark as a native speaker on this "Simplicius" production both here and elsewhere.
Johann Strauss: Simplicius
Mieczysław Weinberg: The Passenger
David Pountney
Angelica Voje, Li︠u︡bovʹ Sokolova
Continuing its tradition of unearthing little-known 20th-century operas, the Bregenz Festival presented the first staged production of Polish-Russian composer Mieczysław Weinberg’s “The Passenger” in 2010. Written in 1967/68, the opera relates the chance meeting of a former concentration camp guard and one of her former inmates on an ocean liner years after the war.
Mieczysław Weinberg: The Passenger
