Dora Baret
1940 (85 лет)
El pozo
Rodolfo Carnevale
Eduardo Blanco, Patricia Palmer
Pilar is autistic since she was four years old, now she is 26. The father wants to send her to an Institution , but the mother refuses, this creates a rift in the couple. The family is breaking up: Alejo, the youngest son, has conflicts at school and with his friends. Pilar suffers from increasingly frequent attacks that makes their living really impossible. Finally, they put her in an Institution. She will find another way to live, but something will happen that will change the course of the family.
El pozo
The Terrace
Leopoldo Torre Nilsson
Graciela Borges, Leonardo Favio
A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.
The Terrace
Facundo, la sombra del tigre
Nicolás Sarquís
Lito Cruz, Norma Aleandro
The film focuses on the journey of General Juan Facundo Quiroga, with a very compromised health, to the north in order to resolve the conflict between the provinces of Salta and Tucuman.
Facundo, la sombra del tigre
Sofía
Alejandro Doria
Dora Baret, Alejandro Milrud
Set amidst a backdrop of political unrest and oppression in Argentina following the coup of the late 1980s, this impressive drama dwells upon a May-December love affair between a boy and a woman suspected of political subversion. When seventeen-year-old Pedro defiantly befriends political fugitive Sofia and provides her shelter, he creates a deep rift between himself, his family and his friends. Sofia is hunted because she was at one time in love with a Communist sympathizer. At first the relationship is purely platonic as Pedro helps her recover from a 23-day long flight that has left Sofia weak and starving for sleep. But as time passes, Pedro becomes increasingly involved with her and his schoolwork begins to suffer. Gradually he falls in love with her and she with him. But as the political situation grows more oppressive and the government steps up its search for subversives, the two begin making desperate plans to flee the country.
Sofía
Gracias por el fuego
Sergio Renán
Lautaro Murúa, Víctor Laplace
The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.
Thanks for the Fire
