Everaldo Pontes

Rapsódia para um Homem Comum

Camilo Cavalcante

Everaldo Pontes, Magdale Alves

Epaminondas is a low-income middle-class civil servant in the early 1970s. He is an ordinary man, a family man, whose day-to-day life is surrounded by bureaucratic commitments and can no longer stand the banal routine he is subjected to.

Notícias do Fim do Mundo

Rosemberg Cariry

Everaldo Pontes, João Paulo Soares

Central Station

Walter Salles

Fernanda Montenegro, Vinícius de Oliveira

An emotive journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

Fim do Mundo

Hilton Lacerda, Lírio Ferreira

Hermila Guedes, Jesuíta Barbosa

Vitória and her son, Cristiano come back to their hometown Desterro, running away from a troubled life in the city. She asks her brother Balbino for shelter. The arrival of mother and son brings the town's secrets and forgotten stories back to light, in strange, mysterious ways. Cristiano's journey of self-discovery through the town's ghostly entrails sets him in a collision course with the most powerful man in town: his uncle.

Behind the Sun

Walter Salles

Rodrigo Santoro, José Dumont

Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.

Sol

Lô Politi

Rômulo Braga, Everaldo Pontes

A recently divorced father, who cannot reconnect with his 10-year-old daughter, is forced to travel with her to the countryside to meet his own father, who abandoned him as a child and now is an old man who wants to die. The forced intimacy with the father he hates and the immediate connection between daughter and grandfather test all his limits, but might also be the chance to get closer to his daughter again.

Southwest

Eduardo Nunes

Júlio Adrião, Regina Bastos

In a Brazilian coastal village where everything seems motionless, Clarice grasps her life in a single day, unlike those she meets and who are living this day like any other. She tries to understand her obscure reality and the destiny of the people around her in a circular time that haunts and disorients.

São Jerônimo

Júlio Bressane

Everaldo Pontes, Sílvia Buarque

Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi

Comeback

Erico Rassi

Nelson Xavier, Gê Martú

Amador is a retired and ostracized gunman. Alone and bitter, he collects newspaper clippings of his old crimes in an album. After several humiliations, he will react with violence to the world’s hostility that surrounds him while also trying to get back to action.

Death Inhabits at Night

Eduardo Morotó

Roney Villela, Mariana Nunes

Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.

Amor Só de Mãe

Dennison Ramalho

Everaldo Pontes, Débora Muniz

Filho is a miserable bastard. He's divided between the duty of nursing his fanatic mother and his obsessive lust for Formosa - a whore of Satan . His dilemma casts him into an abyss of violence, witchcraft, death and demonic trance.

Blue Eyes

José Joffily

David Rasche, Irandhir Santos

Before his compulsory retirement, on his last day of work, Marshall, JFK airport's chief Immigration officer, detains a group of Latin Americans and expose them to a series of humiliating situations. Blinded by prejudice, Marshall ends up by causing the death of a young Brazilian. After a period in prison, Marshall goes to Brazil, deadly ill and in a desperate search in order to purge his guilt. In his quest, he is guided by Bia, a young prostitute.

Os Pobres Diabos

Rosemberg Cariry

Chico Diaz, Sílvia Buarque

The Gran Circo Teatro Americano takes its attractions to the northeastern hinterland. In the city of Aracati, the troupe puts on a fun play about the crisis in hell. With a rochamboesque plot and inspired by string literature, the attraction shows the arrival of the bandit Lamparino to hell and how Lucifer participates in international capitalism. Meanwhile, behind the scenes, loves and tragedies move the lives of artists.

Deserto

Guilherme Weber

Lima Duarte, Cida Moreira

A small group of artists travels the Brazilian backlands presenting a show. Upon arriving in a small village, they find an abandoned city with houses, a church, and a fountain spouting clean water, like a miracle of a biblical desert. Tired of and battered by their life as wanderers, the artists decide to settle in the village and start a new community, assigning themselves different roles from those they have played throughout their lives. This new arrangement, however, will reveal these artists the worst vices of the civilian life.

Currais

Sabina Colares, David Aguiar

Rômulo Braga, Zezita Matos

In the 1932 drought of Ceará, several concentration camps were created to imprison and prevent refugees from reaching the city of Fortaleza. Remnants narrate fragments of his memories and unfulfilled regrets, witnessed in the ruins of concentration camps and in the cult of the “souls of the dam”, resistant to the strong historical erasure.

Por Trás do Céu

Caio Sóh

Nathalia Dill, Renato Góes

In a place taken by poverty, Aparecida lives full of dreams and hope. While her husband leads a bitter life caused by a tragedy from the past, she decides to take an attitude that can change everything: to leave for the big city.