Rosalie Thomass
1987 (38 лет)
The Unheard Woman
Hans Steinbichler
Sebastian Bezzel, Rosalie Thomass
Hanni is the wife wife of a farmer and the mother of three. She worries about her youngest, Magdalena, who’s smaller and more sensitive than her siblings. She gets stomach flu and can’t see well. The doctors prescribe nothing but panaceas, and don’t take her case seriously. While Hanni searches for a doctor who will take Magdalena’s symptoms seriously, her husband and sons feel neglected.
The Unheard Woman
Kohlhaas oder die Verhältnismäßigkeit der Mittel
Aron Lehmann
Robert Gwisdek, Jan Messutat
Deep in the Bavarian countryside Kleist’s historical drama Michael Kohlhaas is being shot. But instead of shooting a huge epic with impressive costumes and extraordinary props, grown-up men in suits fight with imaginary weapons. What has happened? Young director Lehman is fighting for his film, although all funds have been canceled. He’s convinced that the actor’s play and the fantasy of the audience will be sufficient. He fights for his vision as much as Kleist’s Kohlhaas fights for his rights. This film has to be finished. Whatever may come. Even if he has to go too far.
Kohlhaas or the Proportionality of Means
Neue Vahr Süd
Hermine Huntgeburth
Frederick Lau, Eike Weinreich
Frank Lehmann, 20, still lives with his parents in the dreary high-rise housing project "Neue Vahr" in Bremen. It's the year 1980 and Frank gets drafted to the army even though his friends assure him that "he's not really the guy for it". When he gets back home, after his first week at the army, his Dad has turned his room into a TV repair shop, so Frank has to move out. Luckily his old friend Martin is starting a commune with two other Punks in Bremens leftist borough "Viertel". Frank, without further ado rents the unlivable walk-through room. From now on Frank is a traveler between the Worlds. Each week he goes from the Army, with all the unconditional rules and regulations to the commune where his friends are preaching the world revolution. Frank is trying to avoid to stick out, but fails miserably, in both worlds.
Neue Vahr Süd
Beste Zeit
Marcus H. Rosenmüller
Anna Maria Sturm, Rosalie Thomass
Kati drives the VW bus of her parents even without a license quite fast. But what else should one do in the Bavarian province? Kati and her best friend Jo keep asking themselves this question when they philosophize about God and the world with the tip in one hand and the beer in the other hand. After all, Kati's swarm Mike has just come back from the Bundeswehr, but while she dreams of the great love, he seems to take the matter far less seriously. And there's only stress with her dad.
Beste Zeit
Das Leben ist nichts für Feiglinge
André Erkau
Wotan Wilke Möhring, Frederick Lau
After the sudden death of his wife, the lives of Markus Färber and his daughter Kim fall into disarray. Markus’ attempt to bring back normality into their everyday lives fails - he can’t let go of the past. 15 year-old Kim feels left alone with her feelings of guilt. But then she falls in love with the cool school dropout Alex. The two of them run off to Denmark to the place of Kim’s carefree childhood. Together with his mother Gerlinde and her cheerful home care Paula, Markus sets off in search of his daughter. A trip full of surprises and a journey back to life.
Life Is Not for Cowards
Beste Gegend
Marcus H. Rosenmüller
Anna Maria Sturm, Rosalie Thomass
After they have graduated from school, the two best friends Kati and Jo jump into their purple Benz and embark on a journey around the world southwards. Kati, however, struggled with the decision for the journey as the love of her life returned to their hometown Tandern shortly before their departure. The journey leads the two friends over the Brenner pass, where their car suddenly stops working. When Kati then also learns that her grandfather is about to die, she wants to return home – this puts the friendship of the two to an acid test.
The Best Place to Be
Räuber Kneißl
Marcus H. Rosenmüller
Maximilian Brückner, Brigitte Hobmeier
Even today, Mathias Kneißl (1875-1902) is considered a national hero in the collective memory of Bavaria. During his lifetime, he was the most wanted criminal in Bavaria and even Prince Regent Luitpold was reported daily on the hunt for the lawbreaker report. Again and again Kneißl's story has occupied the Bavarian artists: his life was retold in folk songs and murders, sung in ballads, filmed and treated in various plays. In his feature film version, the Bavarian filmmaker Marcus H. Rosenmüller relies on a rapid staging, opulent images and a moving love story.
Räuber Kneißl
