Ferenc Grunwalsky
2021Vörös rekviem
Ferenc Grunwalsky
Péter Andorai, Andor Lukáts
The royal summary court sentences Sallai Imre and Fürst Sándor to death on charges of attempting to uproot the state and the social order. The film, the story of which takes place in 1932, enlarges the moment of delivering the death-sentence. Sallai, preparing for his death, envisions the people and the events that have been decisive for his life.
Requiem for a Revolutionary
Goldberg variációk
Ferenc Grunwalsky
Péter Andorai, Erzsi Cserhalmi
This is a rough, fragmented drama about a couple whose 13-year-old son committed suicide without an apparent reason. The film portrays the day after the funeral and the helpless, abandoned mourning of the parents.
Goldberg Variations
Eszmélés
Ferenc Grunwalsky
Ujlaki Dénes, Jan Nowicki
1894. The mortal remains of Lajos Kossuth are brought home from abroad, the railways are lined with people with their hats in hand, and among them stands the teenager Imre Tányér. 1910. The grown-up Imre undertakes the task to solve the question unsolved since 1848-49, i.e. the transformation of peasant life. He fights for the rights of his class, for justice, for human dignity in a society distorted, backward and built on inequality.
To See the Light
Isten hátrafelé megy
Miklós Jancsó
Károly Eperjes, György Dörner
From the film-shooting in the Buda Castle Marci and his friend go to a well-paying job. The scene is a big castle in the middle of a huge park. They enjoy the company of the Kid and the beautiful naked French girl, Nathalie. Their job is to watch the monitors on which they can see the Moscow coup détat. By the time Gorbachev is executed the Communist and the Nationalists have taken turns in occupying the castle and the park.
God Walks Backwards
Utolsó előtti ítélet
Ferenc Grunwalsky
Péter Andorai, Ildikó Bánsági
The man is promoted and given a new assignment at his work-place. At home, he stares at a video-cassette: it portrays his wife's face in countless versions, she is sometimes simply beautiful, then unfathomable, but it is mostly a sad, closed, lonely face.
The Last Judgement But One
