Ulrike Grote
1963 (61 год)
Gloomy Sunday
Rolf Schübel
Erika Marozsán, Joachim Król
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
Gloomy Sunday
Bilder der Welt und Inschrift des Krieges
Harun Farocki
Ulrike Grote
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.
Images of the World and the Inscription of War
Ausreißer
Ulrike Grote
Peter Jordan, Maximilian Werner
Ausreißer [The Runaway] is a 2004 German short film directed by Ulrike Grote, with Peter Jordan and Maximilian Werner. It follows Walter, an unemployed architect, who is getting ready to go for an interview. But just as he is about to leave his flat, an eight-year-old boy, Yuri, approaches him at the door, claiming to be his son. The film was nominated for an Oscar for Best Live Action Short Film.
The Runaway
Die Kirche bleibt im Dorf
Ulrike Grote
Natalia Wörner, Karoline Eichhorn
Green meadows, blue sky in Swabia: Actually, the world of the two villages Oberrieslingen and Unterrieslingen should be in perfect order. But she is not. Why? Because the two hostile villages have had to share a church and a cemetery since the Middle Ages, which has caused squabbles and squalor to this day.
Die Kirche bleibt im Dorf
Eine halbe Ewigkeit
Matthias Tiefenbacher
Cornelia Froboess, Matthias Habich
More than fifty years have passed since Harry left his great love Elly head over heels to go to America. Now he has returned to see her again - and must discover that she lives as a nun in a Protestant monastery. At first she refuses to contact him, the pain is too deep that he has not been alive throughout the years. Only when she learns the true reason for his supposed silence does she let Harry back into her life. With the memory of the past times, the two also return to the old feelings. Elly gets into a deep moral conflict
Eine halbe Ewigkeit
