Richard Nelson
2021Uncle Vanya
Richard Nelson
Jay O. Sanders, Yvonne Woods
Vanya and his niece Sonya struggle to care for the estate owned by Vanya’s brother-in-law Alexánder, a wealthy professor. When he returns with a beautiful new wife and plans to sell the estate, hidden passions explode and lives come undone.
Uncle Vanya
Hungry
Richard Nelson
Meg Gibson, Lynn Hawley
Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.
Hungry
What Did You Expect?
Richard Nelson
Meg Gibson, Lynn Hawley
Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art and culture are chopped up and mixed together, while a meal is made around the kitchen table.
What Did You Expect?
Women of a Certain Age
Richard Nelson
Meg Gibson, Lynn Hawley
Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.
Women of a Certain Age
What Do We Need to Talk About?
Richard Nelson
Jon DeVries, Stephen Kunken
In the midst of our unsettled world, the Apple Family, last seen in 2014, return, though not over the dinner table, but via Zoom. This hour-long play picks up with them during their now suspended and quarantined lives. They talk about grocery shopping, friends lost, new ventures on a hoped-for horizon—all at a time when human conversation (and theater) may be more needed than ever before.
What Do We Need to Talk About?
