Vladimir Menshov
1939 (87 лет)
Love and Pigeons
Vladimir Menshov
Aleksandr Mikhaylov, Nina Doroshina
One of the most favorite Soviet comedies, a screen version of the play of the same name by Vladimir Gurkin. Each of us knows the story of Vasily, who went to the resort, succumbed to the charms of a femme fatale Raisa Zakharovna, but could not withstand two weeks of urban life, and returned to his family, where he waited for love and pigeons.
Love and Pigeons
Courier
Karen Shakhnazarov
Fyodor Dunayevsky, Anastasiya Nemolyaeva
Ivan Mirosnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.
Courier
Tale About Czar Pyotr Arranging Arap's Wedding
Aleksandr Mitta
Vladimir Vysotsky, Aleksey Petrenko
Peter the Great takes a Russian man of African heritage - Ibrahim Petrovich Hannibal - under his wing as the tsar builds his grand navy. After having a disastrous affair in France, Ibrahim vows to never fall in love again, until he sees the daughter of a wealthy boyar. Peter the Great insists the two be married, but Ibrahim goes against the tsar's wishes, refusing to force her to marry him since she doesn't consent. When another man tries to marry her, however, Ibrahim's loyalties and generous nature are put to the test.
Tale About Czar Pyotr Arranging Arap's Wedding
Абдулладжан, или Посвящается Стивену Спилбергу
Zulfikar Musakov
Rudzhab Adashev, Tuychi Aripov
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
Abdulladzhan, or Dedicated to Steven Spielberg
What a Mess!
Vladimir Menshov
Valeriy Garkalin, Vera Alentova
The story starts in a Siberia where world's biggest diamond was found. It is so valuable that it may not only pay off the enormous national debt, but also allow every Russian citizen to move to the Canary Islands. However, Mafia plans to steal the massive gem but a notorious thief, Vasia, ruins their plans. Mafia and militia begin chasing him, but soon Vasia learns that he has brothers as between the chase he runs into well known Jewish conductor and a gypsy baron who are triplet brothers.
What a Mess!
Ничей
Evgeny Tatarov
Nadezhda Markina, Oleg Chugunov
After the death of the mother of twelve Kohl sent to an orphanage. Valentine is taking him from there. This lonely old woman is his dear aunt, with whom he had never been acquainted. Kohl is waiting for his older brother to come after him after his release from prison, and they will return home together.
Abandoned
Перехват
Sergei Tarasov
Andrei Rostotsky, Vladimir Menshov
A top American spy is in charge of a delicate mission. The USA plans to infiltrate several U-boats in the sea of Vladivostok, however they need the soviet surveillance satellite to stay 'blind' for a couple of hours, so this spy is sent to damage the antenna for the satellite. Everything was planned accurately. But the CIA never counted on the relentless pursuit of a frontier guard who sees the spy's parachute on landing.
Interception
