Enriqueta Carballeira
1944 (81 год)Eroe vagabondo
Walter Santesso
Walter Santesso, Antonio Prieto
Noah earns his living as a plastic flower seller and despite his crushes and hardships, his sweet and dreamy character pushes him to go forward, as well as the love for a girl to whom he usually gives a flower every week . One day he discovers that his loved one has lost her life and begins to wander aimlessly, eventually becoming a hero after saving a clown from certain death but at the same time remains a slave to interest games by shady individuals. When he attends the representation of Romeo and Juliet, he finds in the female protagonist the features of the girl he loved.
Eroe vagabondo
El buen amor
Francisco Regueiro
Simón Andreu, Marta del Val
A couple of young university students decide to spend the day in Toledo, in order to forget a little of the routine in which they are. At nine o'clock in the morning, José Luis waits at the Atocha station for his girlfriend, Mari Carmen. The couple has deceived their families, who have told that they will eat in the Faculty. The journey is eternal and the stay in the city, rather than surprise them, as they expected, immerses them, even more, in the monotony in which they live. Without friends, without relatives and without university partners, the couple will spend twelve hours in Toledo, half a day of tenderness in the rain and the December sun that will help them to know themselves better.
The Good Love
Total
José Luis Cuerda
Manuel Alexandre, José María Caffarel
"Total" opens the trilogy that close "Amanece que no es poco" and "Así en el Cielo como en la Tierra" Year 2598. Three days ago, the world has come to the end in London, a lost and a small Castilian village atmosphere. Lorenzo, a shepherd, tells a series of extraordinary events that have been announcing the end of the world: the cows want to go to school, walls crumble, or Doña Paquita appears in the most unexpected places ..
Total
Tiempo de amor
Julio Diamante
Julia Gutiérrez Caba, Agustín González
Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.
Tiempo de amor
The Weakness of the Bolshevik
Manuel Martín Cuenca
Luis Tosar, María Valverde
After getting into a minor traffic accident, Pablo attempts to make light of the situation by asking the driver of the other car, Sonsoles, out on a date. When she refuses and instead files an injury report, Pablo snaps and begins stalking her. He soon discovers that Sonsoles has a beautiful teenage sister, Maria, with whom Pablo is immediately infatuated -- a lust that soon turns dark. Can Pablo control his obsession, or will it consume him?
The Weakness of the Bolshevik
La mitad del cielo
Manuel Gutiérrez Aragón
Ángela Molina, Margarita Lozano
After the civil war, Rosa, a beautiful and hard worker woman falls in love with a sharpener who turns out to be a con man. When she becomes a widow, she emigrates to Madrid with her daughter beginning to work as a nurse in the home of Don Pedro, an influential food manager.
La Mitad del Cielo
Viva la clase media
José María González Sinde
Emilio Gutiérrez Caba, María Casanova
Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.
Viva la clase media
Tata Mía
José Luis Borau
Imperio Argentina, Alfredo Landa
Elvira, daughter of a disgraced military, who entered a convent at a young age leaves him and returns home to settle in Madrid with his beloved nanny, seeking help to overcome their crisis. However, the country has changed so much in his years of confinement that has little or nothing to do with his childhood memories ...
Tata Mía
Carne apaleada
Javier Aguirre
Esperanza Roy, Bárbara Rey
Berta (Tota Alba) has entered, once again, in prison accused of fraud. From the first moment she steps in the jail, she becomes the toy of all the veteran inmates. The number of conflicts in which she is immersed causes her to be transferred several times from penitentiary. In all of them will live some experience that will change her life; she will know love, hate, despair, etc.
Battered Flesh
Cómo ser mujer y no morir en el intento
Ana Belén
Carmen Maura, Antonio Resines
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
How to Be a Woman and Not Die in the Attempt
Tocata y fuga de Lolita
Antonio Drove
Arturo Fernández, Pauline Challoner
Carlos, a widower in his forties, lives with his daughter Lolita and his sister Merche. He is a candidate to Spanish Court's Proctor, so frequently travels outside Madrid. During one of those trips, he is forced to return at home precipitously, because his sister informed him that Lolita has left the house to live with some friends.
Tocata y fuga de Lolita
