Héctor Noas
2021
Inocencia
Alejandro Gil
Yasmani Guerrero, Luis Manuel Alvarez
On november 27th, 1871 one of the most atrocious events happened in the Cuban territory, the regiment of voluntarys of the spanish army along with the Spaniard corrupt government that ruled the island, conspired to destroy the lives of 8 students of medicine. The resolution of the young students in maintaining their dignity over the injustice in which they were involved; the reaction of few fair spanish men to the inexplicable situation in which the events was developed and the never told roll of Fermín Valdés in the discovery of the truth will change the insight of this story. Based on true events, this film was a debt to the cuban history that was settled.
Inocencia
Yuli
Icíar Bollaín
Santiago Alfonso, Carlos Acosta
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
Yuli
Corazón Azul
Miguel Coyula
Lynn Cruz, Carlos Javier Martinez
In an alternate reality, Fidel Castro uses genetic engineering to build the new man and thus save utopia. The experiment fails as these beings are highly intelligent but also cruel and uncontrollable. Rejected by their own creators, a group organizes a series of terrorist actions, and chaos reigns on the island. One of its members traces the origin of their genes and begins a journey to try to discover their humanity.
Blue Heart
Sergio & Serguéi
Ernesto Daranas
Tomás Cao, Héctor Noas
In 1991, the USSR is falling apart and Cuba enters its hardest economic crisis. Sergio, a professor of Marxism who can't provide for his family, and Sergei, a Soviet cosmonaut stranded in the Mir space station, share a common passion: amateur radio. Through this hobby, both men will be able to help each other in facing the dramatic changes of their countries.
Sergio and Sergei
Los dioses rotos
Ernesto Daranas
Annia Bu Maure, Carlos Ever Fonseca
In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.
Los dioses rotos
Verde verde
Enrique Pineda Barnet
Héctor Noas, Carlos Miguel Caballero
The first gay-themed film produced in Cuba by the Institute of Cinema since Strawberry & Chocolate in 1993. The theme, however, is the same as in Guttiérerez and Tabìo's film: homophobia, machismo and fear. The fatal attraction between Alfredo, a doctor in the merchant navy, and handsome Carlos starts in a rundown Havana bar and ends at the sailor's house. But Alfredo's flirting and seducing of Carlos immediately turns into something complicated, ambiguous, dangerous. In a claustrophobic, tense atmosphere, their bodies are powerfully attracted, and the words, though violent, intensify the level of sensuality. Does each man kill the thing he loves? Evoking dreamlike atmospheres and characters, 80-year-old veteran director Enrique Pineda Barnet openly references Fassbinder's Querelle and Jean Genet. Quite controversial in its approach, the films demonstrates the milder attitude of Raul Castro's regime towards Cuba's LGBT Community.
Green Green
