Masahiro Kobayashi
1954 (70 лет)Kobayashi became the first Japanese filmmaker to win the Grand Prize at the Yubari International Fantastic Film Festival. In its wake, he founded Monkey Town Productions and made three films back to back which won prizes in three consecutive years at Cannes: Kaizokuban Bootleg Film (1999) and Man Walking on Snow (2001) in Un Certain Regard and Koroshi (2000) in the Directors' Fortnight.
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Strangers When We Meet
Masahiro Kobayashi
Masahiro Kobayashi, Yuko Nakamura
The minimalistically staged Strangers When We Meet displays similarities with Kobayashi's The Rebirth (2007) and provides a sensitive observation of a couple who, tormented by loss, blame and guilt, adhere rigidly to their daily routine. Will they ever find each other again?
Strangers When We Meet
Code Name: Melville
Olivier Bohler
Michel Dreyfus-Schmidt, Leo Fortel
Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.
Code Name: Melville
日本の悲劇
Masahiro Kobayashi
Tatsuya Nakadai, Kazuki Kitamura
In 2010, 31,560 people ended their own lives and about 20,000 people died or went missing with the earthquake. Unemployed widower Fujio Murai’s family tragedy contains instances of both; diagnosed with lung cancer, Fujio refuses surgery and returns home with his son Yoshio.
Japan's Tragedy
ワカラナイ
Masahiro Kobayashi
Yuto Kobayashi, Masahiro Kobayashi
Yuto Kobayashi stars as a down-on-his-luck 16-year-old named Ryo Kawai. Ryo grew up fatherless, and has been trying to make a living by working at a local convenience store ever since his mother was hospitalized with a prolonged illness. Unable to support himself on his meager earnings, he has to resort to sneaking money from the cash register and stealing rice balls to get by-a habit which eventually gets him fired. Just when it seems things can't get any worse, his mother dies and he's stuck with a hefty bill for the hospital and funeral expenses. Obviously unable to pay, but determined to send his mother off himself, Ryo steals her corpse and places it in a small rowboat. After the makeshift funeral ceremony, Ryo heads off to Tokyo on a journey to meet his absentee father.
Where Are You?
バッシング
Masahiro Kobayashi
Fusako Urabe, Nene Otsuka
Yuko is a Japanese girl who was taken hostage in Iraq while volunteering there as an aid worker. Finally released and back in her hometown, Yuko finds herself ostracized as a national disgrace by society that sees her helping a country other than Japan, and the embarrassment of getting captured but not killed, as things of which to be brutally ashamed.
Bashing
歩く、人
Masahiro Kobayashi
Ken Ogata, Yasufumi Hayashi
Mashike, a city on the Japanese island of Hokkaido. Nobuo Honma is a 63-year-old sake producer. He has lived with Yasuo since his wife died two years ago. Yasuo is his youngest son to whom he has entrusted his trade. Every day Nobuo goes for a walk which leads him to a fish-breeding center, located in the mountains. He fills his loneliness by attentively observing the development of thousands of little fish poured into the pool. The second anniversary of his wife's death approaches. Nobuo insists on the presence of Ryoichi, his elder son whom he hasn't seen for a long time. Nobuo and his two sons, along with their partners, gather for the commemoration. Unspoken feelings resurface and clash with each other.
Man Walking on Snow
愛の予感
Masahiro Kobayashi
Masahiro Kobayashi, Makiko Watanabe
Coincidence and the aftermath of violence. A man's middle-school daughter has been murdered. His wife is already deceased. He tells a counselor he wants to live in anonymity, working with his hands. He moves away and gets a job in a factory. The woman who is the mother of the killer wants to apologize to the father, although she knows it would change nothing. He refuses to meet. She moves back to her hometown. She works in the kitchen at an inn where the man now lives. No one speaks. He eats alone. He reads in his apartment. She walks to her home and has a sandwich. She keeps her eyes lowered. He drives to work. Does either want to connect? What bond can they establish?
The Rebirth
海辺のリア
Masahiro Kobayashi
Tatsuya Nakadai, Hiroshi Abe
Kuwahata Chokichi used to be a famous actor, but now he's suspected to be suffering from dementia. He is betrayed by his older daughter, Yukiko, her husband-cum-his-former-disciple, Ikuo, and Yukiko's lover, a mysterious driver, and gets sent to a high-class old folks' home. One day, Choukichi runs away from the home and wanders to the beach where he meets his younger daughter, Nobuko, who he had with his lover. Although he had thrown Nobuko out in the past, he begins to imagine seeing her as the image of Cordelia, who is the beloved daughter of King Lear, after talking to her. Gradually, his past memories start to come back to him, and Choukichi heads towards the world of insanity.
Lear on the Shore
殺し
Masahiro Kobayashi
Ryo Ishibashi, Nene Otsuka
The movie is absurd, and a thoroughly original take on the morale in Japanese society. The images are beautiful, and the people are as cold as the snow that surrounds them. The take on Melville's "Samoraï" from -67 is obvious, but Kobayashi turns the image around and portrays the killer as the weakest person in the movie - haunted by his demanding wife and the moaning contractor, who is one of the most mysterious characters ever portrayed in a movie.
Film Noir
Closing Time
Masahiro Kobayashi
Sanshô Shinsui, Takeo Nakahara
A down-and-out scriptwriter spends his days and nights in the bars of Tokyo. When he is thrown out of a joint because it is closing time, there is always a willing lady to spend the rest of the night with. In the street he has countless semi-philosophical discussions with fellow drinkers, male and female, (shot in black-and-white, as prologue to the different chapters) but in the end it often comes down to one thing: the bottle of whisky that has to be finished. An encounter with a homeless young man with AIDS marks a turning point in the life of the writer.
Closing Time
Kanzen-naru shiiku: onna rihatsushi no koi
Masahiro Kobayashi
Kazuki Kitamura, Keiko Oginome
Because of the desolate landscape, Kobayashi chose snow-covered Hokkaido (the most northern island of Japan) as the setting for Amazing Story, a light-erotic drama about a lonely man, Kenji, who kidnaps the woman of his dreams. The woman is Harumi, a hairdresser in the deserted town where Kenji has just arrived. It's never really busy in her business. Harumi's husband is a gambling addict and spends all Harumi's money. Maybe that's why Harumi doesn't try very hard to escape when Kenji kidnaps her. His concern about her and his boundless worship probably help, too. Something strange and beautiful blossoms between the kidnapper and his victim, but can this be the basis of a long and happy encounter?
Perfect Education 5: Amazing Story
