Julia Gutiérrez Caba
1932 (93 года)Nunca pasa nada
Juan Antonio Bardem
Corinne Marchand, Antonio Casas
The star of a magazine company suffers an appendicitis attack during a shift and has to stay in a small Spanish town to be operated. But the doctor who takes care of his speech falls in love for her and tries to prolong their convalescence.
Nothing Ever Happens
Historias de nuestro cine
Ana Pérez-Lorente, Antonio Resines
Antonio Resines, Luis Alegre
In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.
Stories of Our Cinema
You're the One
José Luis Garci
Lydia Bosch, Julia Gutiérrez Caba
Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.
You're the One
Tiempo de amor
Julio Diamante
Julia Gutiérrez Caba, Agustín González
Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.
Tiempo de amor
Un millón en la basura
José María Forqué
José Luis López Vázquez, Julia Gutiérrez Caba
In the vast army of human society, Pepe, a sweeper, occupies one of the last places: anonymous, gray, vague. Pepe is a member of that ghostly dawn brigade, to blow hose, clean the streets at dawn. One day Pepe finds a million in the trash. Financial need of the poor sweeper suggests keeping the money, but his wife advises him to do his civic duty and return the money ...
Un millón en la basura
El color de las nubes
Mario Camus
Julia Gutiérrez Caba, Ana Duato
Clementina befriends Lola’s nerdy lawyer, Valerio, and slowly a romance develops between them. Meanwhile, old fisherman and model-maker Colo has found a consignment of drugs floating in the sea and tries to get rid of them to raise money to save Lola’s house. The adventure element of pic is in a smuggling gang’s attempt to recover the drugs.
The Color of the Clouds
Fortunata y Jacinta
Angelino Fons
Emma Penella, Liana Orfei
Shows the unfailing love of two women for the same man, one as his mistress, the other as his wife. The lives of these characters intertwine and are determined by the variegated fabric of delicate tradition and established vices shaky politics and intrigue of the society they live in. Based on the major novel (1877) by Benito Perez Galdos.
Fortunata y Jacinta
Proceso a Jesús
José Luis Sáenz de Heredia
Andrés Mejuto, Alfredo Mayo
A group of Sephardic perform the "Trial of Jesus" in an ancient temple and before a baffled audience. The purpose of the play is to understand whether the condemnation of Jesus was justified or not, since they are not resigned to accept that history found guilty the Jewish people.
Proceso a Jesús
Usted puede ser un asesino
José María Forqué
Alberto Closas, Amparo Soler Leal
Two friends plan a weekend of partying while their wives go to a mountain chalet. But everything gets complicated when a corpse appears in the pantry, apparently out of nowhere.
Usted puede ser un asesino
La herida luminosa
José Luis Garci
Fernando Guillén, Mercedes Sampietro
Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.
La herida luminosa
091 Policía al habla
José María Forqué
Adolfo Marsillach, Tony Leblanc
A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.
091: Police speaking
Accidente 703
José María Forqué
Nuria Torray, Carlos Estrada
Hector travels with Luisa by the road linking Madrid with Barcelona. When another car suddenly crosses his path, his vehicle leaves the road and plunges into a tree. Hector dies and she is seriously injured. The other car was occupied by Jorge and Paula, her lover. Several vehicles cross before the car crash and do not stop, each for a different reason. Among them is Julio, a truck driver who does not stop in order to reach his destination on time, not knowing that at the wrecked car travels his old girlfriend.
Accidente 703
