
Madeleine Renaud
1900 - 1994Primerose
René Guissart
Madeleine Renaud, Henri Rollan
Primerose loves her childhood friend, Pierre, but this one, ruined, refuses her love. Desperate, Primerose enters the convent, but soon the order is dissolved and Pierre, who finds his young friend, finally lets his heart speak...
Primerose
The Longest Day
Bernhard Wicki, Ken Annakin
Eddie Albert, Paul Anka
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
The Longest Day
Hélène
Jean Benoît-Lévy
Madeleine Renaud, Jean-Louis Barrault
Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).
Hélène
Le Plaisir
Max Ophüls
Claude Dauphin, Gaby Morlay
Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.
Le Plaisir
La maternelle
Jean Benoît-Lévy, Marie Epstein
Madeleine Renaud, Alice Tissot
When her father files bankruptcy and then dies, Rose's fiancé jilts her; she takes a job as a maid in a Montmartre kindergarten with 150 poor children. Rose gives each child loving attention, and soon she's their favorite. An especially needy child is Marie, a prostitute's daughter. Rose and she bond, and Marie is jealous of all attentions paid Rose, especially those of Dr. Libois, the school's physician. When Rose inadvertently guides the children through the educational experiment of a visiting scholar, and then discloses she has a college degree and is working beneath her station, the principal wants to fire her. Is there any way she can stay? And what will happen to Marie?
Children of Montmartre
L'Étrange Monsieur Victor
Jean Grémillon
Raimu, Madeleine Renaud
Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...
Strange M. Victor
Des journées entières dans les arbres
Marguerite Duras
Madeleine Renaud, Bulle Ogier
An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.
Entire Days in the Trees
Le dialogue des Carmélites
Philippe Agostini, Raymond Leopold Bruckberger
Jeanne Moreau, Alida Valli
This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion.
The Dialogue of the Carmelites
Lumière d'été
Jean Grémillon
Madeleine Renaud, Pierre Brasseur
A shimmering glass hotel at the top of a remote Provençal mountain provides the setting for a tragicomic tapestry about an obsessive love pentangle, whose principals range from an artist to a hotel manager to a dam worker.
Summer Light
Le diable par la queue
Philippe de Broca
Yves Montand, Madeleine Renaud
In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.
The Devil by the Tail