Simon Reggiani
2021Le rocher d'Acapulco
Laurent Tuel
Margot Abascal, Antoine Chappey
Sandrine dreams of becoming a singer in Paris but for the time being she is only a salesgirl at Tati's and lives in a second rate hotel under the careful eye of Ahmed, the night watchman. One day, she meets Gérald, her brother's former boyfriend, who persuades her to move into his apartment. He soon takes control over Sandrine's life, organizing erotic rendezvous for her, taking her to her clients and waiting for her until she is through with her task.
The Rock of Acapulco
Golden Eighties
Chantal Akerman
Myriam Boyer, Delphine Seyrig
Three young women at a hair salon all like the son of the clothing store proprietors across the mall. Although Robby is selfish and shallow, he's appealing to Lili, the salon's manager, who's trendy and also the salon-owner's moll; to Mado, who's innocent and sweet; and to Pascale, who's intelligent but passive and downcast. Robby's dad tells him to grow up and see beyond the mercurial Lili, so he proposes suddenly to Mado. She's delighted, but the day before the wedding, Lili returns to give Robby another look. In the background, a Yank who was a soldier in France in World War II returns to Paris and tries to recapture the love of his wartime sweetheart, Robby's mom.
Golden Eighties
À l'ombre de la canaille bleue
Pierre Clémenti
Pierre Clémenti, Achmi Gachem
300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
In the Shadow of the Blue Rascal
Basse Normandie
Patricia Mazuy, Simon Reggiani
Basse Normandie is based on actual events. Protagonists Simon Reggiani and Patricia Mazuy are also husband and wife in real life. They filmed the creation of one of Simon’s plays, and then reenacted some of the events surrounding it. Simon prepares for a one-man show that he will perform largely on horseback, including dressage. The local government of the region hopes to use the play to improve its image; with government’s support, it’s decided that Simon will perform the play before an audience of over 1,700 farmers during an agricultural congress in Paris. The director of a large stud farm provides Simon with rehearsal space. What follows is the path that Reggiani had to take in order to create his performance — a path filled with obstacles ranging from uncooperative stable staff and a grumpy horse to vocal problems. An intriguing and occasionally absurd mixture of filmed theater, a making-of documentary, mockumentary and dressage lesson.
Basse Normandie