Jean Grémillon
1898 - 1959After directing a number of documentaries during the 1920s, many now lost, Grémillon had his first substantial success with the dramatic feature Maldone in 1928. Over the next quarter-century, he directed twenty more feature films, of which he is best known for five made between 1937 and 1944: Gueule d'amour (1937), L'Étrange M. Victor (1938), Remorques (1941), Lumière d'été (1943), and Le Ciel est à vous (1944), all but the first starring Madeleine Renaud.
Grémillon rejected what he referred to as "mechanical naturalism" in favor of "the discovery of that subtlety which the human eye does not perceive directly but which must be shown by establishing the harmonies, the unknown relations, between objects and beings; it is a vivifying, inexhaustible source of images that strike our imaginations and enchant our hearts."
He died on November 25, 1959 in Paris, France.
Gardiens de phare
Jean Grémillon
Paul Fromet, Geymond Vital
In a lighthouse off the coast of Brittany, a young man slowly goes mad following a bite by a rabid dog while his father looks on helplessly. Thwarted by a raging sea, they are prisoners of the lighthouse. In a rustic Brittany village, a young bride waits, unaware of the tragedy.
The Lighthouse Keepers
Gueule d'amour
Jean Grémillon
Jean Gabin, Mireille Balin
Lucien Bourrache, a good looking non-commissioned officer at the Spahis, is used to charm many women. He met Madeleine Courtois at Cannes. She is beautiful and lives in luxury. He lends her a large amount of money, which she loses gambling. Then she drops him. But Lucien is now in love, and once demobilized, he goes to Paris to find her again. But he's not so sexy without his uniform, and Madeleine and him do not belong to the same milieu.
Lady Killer
L'Étrange Monsieur Victor
Jean Grémillon
Raimu, Madeleine Renaud
Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...
Strange M. Victor
Maldone
Jean Grémillon
Charles Dullin, Marcelle Charles Dullin
Maldone is a canal worker, happy with his life after running away from his family estate. He falls in love with Zita, a young gypsy girl, during a local fete. However, after his brother dies, Maldone is called back to manage the estate. There, he takes up the life of a landowner and marries a neighbor's daughter. Years later Maldone is still restless on the estate, and becomes obsessed with Zita, after meeting her by chance one evening.
Misdeal
La Petite Lise
Jean Grémillon
Nadia Sibirskaïa, Pierre Alcover
Victor Berthier, a good man but also a very jealous one, killed his wife in a fit of jealousy. After serving a few years in a chain gang, he is released for good behavior. He feels very happy to be able to return to Paris and to meet Lise, his daughter, again. But, to his dismay, he finds that Lise, through the fault of André, her lover and pimp, has unwillingly committed a murder.
Little Lise
Le 6 juin à l'aube
Jean Grémillon
The film starts by a visit to bucolic Normandy before the events. This peaceful atmosphere is shattered by Operation Overlord, minutely described in the second part of the documentary. The landing on D-Day and the ensuing battles and bombings martyr the peaceful area giving the earth thousands of body instead of seeds. In the last part, the dreadful aftermath of the steel storm is shown both with sympathy for the victims and hope for the future, since all these sacrifices, whether military or civilians, have not been in vain.
The Sixth of June at Dawn
Daïnah la métisse
Jean Grémillon
Charles Vanel, Laurence Clavius
Shades of Othello loom in this engrossing exploration of class, race, and murder set on an ocean liner. Young Dainah encounters an engineer onboard who mistakes pleasantries for flirtation. When she disappears the next day, suspicion spreads not only to the engineer but also to Dainah's husband.
Dainah the Mixed
André Masson et les Quatre Éléments
Jean Grémillon
Andre Masson
A subtle reflection on the creative process of painter André Masson, and on creativity in general. It is at the crossroads of the documentary and the poem. It exalts the work of Masson and demonstrates lucidity, dedication and patience necessary for any creator. It superimposes the image a text inspired by the work of Masson, divided into eight parts, directs the eye to the heart of the artist's creative work.
André Masson and the Four Elements
L'Amour d'une femme
Jean Grémillon
Micheline Presle, Massimo Girotti
Marie, a young doctor, settles down on the Ouessant Island. She will be able to win the diffidence of the local population but she will have to fight for her independence after falling in love with an italian engineer.
The Love of a Woman
Lumière d'été
Jean Grémillon
Madeleine Renaud, Pierre Brasseur
A shimmering glass hotel at the top of a remote Provençal mountain provides the setting for a tragicomic tapestry about an obsessive love pentangle, whose principals range from an artist to a hotel manager to a dam worker.
Summer Light
