Pavel Kostomarov
1975 (48 лет)Расторгуев
Evgeniya Ostanina
Alexandr Rastorguev, Petr Verzilov
On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.
Rastorhuev
Бансу
Pavel Kostomarov
Sam Douglas, Mark Noble
The film is based on a true story that happened in Alaska in summer, 1943. Soviet pilot crew is flying new American bomber from the USA to the USSR under lend-lease& The pilot lands at an air base in the town of Nome for refueling only to find out that his partner has disappeared in the middle of the flight. Navigator cockpit is open, and the navigator himself has vanished into the thin air. Soviet and American intelligence do not believe in supernatural power, especially since the solder's missing parachute pack has valuable intelligence data. Recon teams of the two rival countries set out to search it in the depth of Alaska forest, however, soon another mysterious player joins the game, an aleut deity called Bansu.
Bansu
Я тебя люблю
Pavel Kostomarov, Alexandr Rastorguev
Alexander Glaser, Alexandra Vartaniants
These are the stories of the three guys,three friends, living in a city in the south of Russia. In the course of a year they recorded their everyday lives with a small HDcam. This record is what comprises the movie and to what it is dedicated. Our heroes are eighteen years old and they live average lives: work, have parties and, fall in love. But finally they will have to make those most important of personal choices which will define their future.
I Love You
The Term. Beginning of a Big Story
Pavel Kostomarov, Alexey Pivovarov
Kseniya Sobchak, Ilya Yashin
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
The Term. Beginning of a Big Story
Я тебя не люблю
Pavel Kostomarov, Alexandr Rastorguev
Victoria Shevtsova, Aleksandr Polyaev
A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.
I Don't Love You
Эпидемия. Вонгозеро
Pavel Kostomarov
Kirill Käro, Viktoriya Isakova
A deadly virus of unknown origin has decimated Moscow. Sergey, along with his girlfriend and their autistic son are joined by his exwife, their son and several fellows to escape the quarantine zone lest they suffer a slow and painful death. Somewhere far away, on a desert island in Karelia, there is a cabin- their only chance to start all over again. But the journey will not be an easy one as the deadly virus and interpersonal conflict threaten to pull the group apart.
Vongozero: The Outbreak
Эти
Pavel Kostomarov
Alexey Popogrebsky, Pavel Kostomarov
The film is about Alexey Popogrebsky's film "How I spent this summer". In the film, there are no tedious reflections of the actors and the director about their film against the background of posters of the same film. But there is life itself, real, unmasked, and, despite the sea of comicality, it makes you horrified at how the Russian film process can take place…
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