Robert Frank

Home Improvements

Robert Frank

Robert Frank, June Leaf

Home Improvements, Robert Frank’s first video project, is a simple and poignant diary of consequential events. It is about the relationship between Frank’s life as an artist and his personal life, and how the two are inevitably intertwined. It was made cheaply with a half-inch video porta-pak. Home Improvements takes place in New York and Nova Scotia and in the mental space between these two opposing worlds

Second Century

Jorge Bolado

Martin LaSalle, Robert Frank

A small film crew goes through several locations including Europe, New York and Mexico.

Last Supper

Robert Frank

Paola Igliori, Zohra Lampert

In an empty lot in Harlem, an elite group of New Yorkers prepares for a book-signing party given in honor of a writer who never shows up. Local residents, dealing with the practicality of life, look on as the guests obsess about identity, status, and success.

Conversations in Vermont

Robert Frank

Produced in 1969, this was Frank’s first autobiographical film, telling the story of a father’s relationship with his two teenaged children, and his fragile attempts to communicate with them by means of a shared story. The shared story is partly told through Frank’s narration over filmed images of his photographs, family photographs and world famous images.

This Song for Jack

Robert Frank

William S. Burroughs, Allen Ginsberg

Don't Blink: Robert Frank

Laura Israel

Robert Frank, June Leaf

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

O.K. End Here

Robert Frank

O.K. End Here is Frank’s 1963 short film about inertia in a modern relationship. The film alternates between semidocumentary scenes and shots composed with rigid formality, and appears to have been directly influenced by the French Nouvelle Vague and Michelangelo Antonioni’s films.

Me and My Brother

Robert Frank

Julius Orlovsky, Peter Orlovsky

Julius Orlovsky, after spending years in a New York mental hospital, emerges catatonic and must rely on his brother Peter, who lives with poet Allen Ginsberg. When Julius wanders off in the middle of filming, Frank hires and actor (Joseph Chaikin) to play the character and begins a fictional version of his psychological portrait. Then, as suddenly as he vanished, Julius turns up in an institution where he and Peter must face their relationship.

C'est vrai

Robert Frank

Taylor Mead, Peter Orlovsky

A one-hour trip down Manhattan's Lower east Side.

Sanyu

Robert Frank

Sanyu (1901-1964), an important Chinese artist, was a friend of Robert Frank's who died in anonymity in Paris. In this film portrait, Frank creates a requiem that includes dramatic and documentary scenes set in Paris, and a chronicle of his trip to Taipei to attend Sotheby's auction of the paintings Sanyu left him."

Candy Mountain

Robert Frank, Rudy Wurlitzer

Kevin J. O'Connor, Bulle Ogier

A mediocre musician goes on the road in search of the world's greatest guitar maker

Pull My Daisy

Alfred Leslie, Robert Frank

Jack Kerouac, Allen Ginsberg

Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

The Rolling Stones: Cocksucker Blues

Robert Frank

Mick Jagger, Keith Richards

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.

Life Dances On...

Robert Frank

Life Dances On is Robert Frank’s most personal and emotional work because it deals directly with his family and close friends. The film is dedicated to his daughter Andrea and to his friend and collaborator Danny Seymour, both deceased. Life Dances On is composed of delicately balanced, intuitive moments that merge Frank’s own sense of loss for two people close to him with several filmed portraits of those who share his life, including his family and people on the street in New York City.

The Present

Robert Frank

Yûichi Hibi

Simple objects, photographs, and events prompt Frank to self-conscious rumination. From his homes in New York and Nova Scotia and on visits to friends, the artist contemplates his relationships, the anniversary of his daughter's death, his son's mental illness, and his work.

Energy and How to Get It

Robert Frank

William S. Burroughs, Dr. John

Filmed in Wendover, Nevada, in early 1981, Energy and How to Get It combines documentary and fictional ideas. What began as a documentary film about Robert Golka, an engineer who was experimenting with ball lightening and the development of fusion as an energy force, was turned into a spoof on the documentary form, inserting fictional characters into the story such as the Energy Czar (William Burroughs), and a Hollywood agent (filmmaker Robert Downey). (mfah.org)