Anna Rita Del Piano
1966 (59 лет)
Credo in un solo padre
Luca Guardabascio
Maddalena Ischiale, Flavio Bucci
Falcino, a small town in the south of Italy. No one sees. No one hears. Nobody talks. But everyone knows. And so they all become accomplices of a tragedy against women, against kids, against a family. A story of violence and slavery. Indifference is stronger than their conscience. Maria, a young mother of a family, lives with her husband Gerardo and her two children, Rocco e Carmela, on her father-in-law's farm: "grandpà" Giuseppe. Gerardo decides to emigrate to Austria to earn more money so as to allow a more comfortable life for the family. This absence will be the beginning of a nightmare that will lead Maria and her daughter to be victims of abuse of an unscrupulous ogre (monster).
Credo in un solo padre
L'uomo nero
Sergio Rubini
Sergio Rubini, Valeria Golino
Gabriele returns home in southern Italy to bid farewell to his father Ernesto, a former stationmaster in a small town not far from Bari. The old man reawakens in Gabriele memories of his childhood, of his loving mother, his uncle, his friends... but also of his father's rage and bitterness over his failure in achieving his artistic ambitions: Ernesto was convinced he was destined to be a famous painter, and was willing to sacrifice everything for this belief, even his own dignity – and this made his son swear that he wouldn't turn out like him. Only now, many years later, through chance and circumstances, Gabriele begins to understand Ernesto and to see what sort of person his father really was.
The Cézanne Affair
What a Beautiful Day
Gennaro Nunziante
Checco Zalone, Nabiha Akkari
Checco, an uneducated but self-satisfied fellow from Milan, who has always dreamed of becoming a police officer, fails his entrance exam for the third time. It must be said that at the oral examination Checco said that the reason why he wanted to join the police was benefits in kind and cronyism! But the young man has connections and he soon finds himself a security agent at the Milan Cathedral. Of course the bumbling idiot proves a living catastrophe! Spotted by Sufien, an Arab terrorist who is preparing an attack against the cathedral, Checco appears as the perfect sucker. To manipulate him, he sends his charming sister Farah to him, with the mission to seduce him...
What a Beautiful Day
Tornare indietro
Renzo Badolisani
Gianfranco Jannuzzo, Giusi Cataldo
A painter from Turin, Stefano Faenza, arrives in Reggio Calabria on the occasion of a personal exhibition organized in his honor in Locride. Behind this initiative there is a schoolmate of his, Gino Jacona, today councillor to the culture. During the trip, on the 106 state road, that takes him from the airport to the town, Stefano remembers the period he spent in this region in the early 70s...
Tornare indietro
E la chiamano estate
Paolo Franchi
Isabella Ferrari, Jean-Marc Barr
Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.
And They Call It Summer
Amore 14
Federico Moccia
Veronica Olivier, Beatrice Flammini
Come ogni 14enne Carolina, detta Caro,è impegnata a districarsi tra la scuola, gli amici e il rapporto spesso conflittuale con i genitori, si trova improvvisamente alle prese con i turbamenti legati al primo amore che ha il nome e il volto di Massimiliano. Ad aiutarla nel suo cammino verso la scoperta delle gioie e dei dolori sentimentali ci saranno le sue amiche del cuore e la sua famiglia
Amore 14
Matera è Lontana
Fabio Zuliani
Carlo Re, Jenny Fox
This film is on the other hand a Noir fiction set in Basilicata, played out against a spiritual backdrop: Carlo Altieri, a Piedmontese detective with a turbulent past, is hired by a young aristocratic Russian woman intent on finding her boyfriend, who has mysteriously disappeared in Basilicata. Altieri thus begins an intriguing and unpredictable journey through the valleys and badlands of Basilicata and, with the help of a fortune-teller, he starts to unravel an intricate sequence of events that will lead him as far as Matera.
Matera Is Far Away
