Choi Moo-seong
1967 (58 лет)I Saw the Devil
Kim Jee-woon
Lee Byung-hun, Choi Min-sik
Kyung-Chul is a dangerous psychopath who kills for pleasure. Soo-Hyun, a top-secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take vengeance against the killer, even if it means that he must become a monster himself.
I Saw the Devil
소월길
Jong-Hun Shin
Park Myung-shin, Go Won-hee
Jumsoon (52) works two jobs in order to live with her recently discharged son, Yonggoon (24). She works at a restaurant during the day and sells her body on Sowol Road during the night. One night on Sowol Road, Jumsoon saves another sex worker from an assault and learns that she is a transgender woman that wants to have a sex reassignment surgery.
Sowol Road
시선 너머
Yoon Sung-hyun, Shin Dong-il
Park Jung-wook, Seo Ok-byeol
Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.
If You Were Me 5
4등
Jung Ji-woo
Yoo Jae-sang, Park Hae-joon
A former Asian Games record breaker and Olympic tryout, Kim Gwang-su, endures beatings, abuse, and constant ridicule from his swimming coach. To justify this abusive behavior, his coach constantly reminded Gwang-su - this is for your own good.
Fourth Place
극장전
Hong Sang-soo
Kim Sang-kyung, Uhm Ji-won
In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.
Tale of Cinema
살아남은 아이
Shin Dong-seok
Choi Moo-seong, Kim Yeo-jin
When their son drowns while saving the life of a friend, the couple offer to take the boy in. What can they do with the kid who outlived their own son? The father tries to teach him work and looks after him like family. The mother is distant to him but gradually opens her heart.
Last Child
설행: 눈길을 걷다
Kim Hee-jung
Kim Tae-hoon, Park So-dam
Jeong-Woo is sent to a sanitarium deep in the mountains to overcome his alcoholism. There he meets a young nun named Maria who has a special ability to see inside people. In this isolated sanitarium Maria is the only person who seems to care for him and soon he feels drawn to her. While struggling with his withdrawal symptoms, Jeong-woo has a vision where his reality is different from what he believes. The further he escapes from his alcoholism, the closer he gets to confronting the past that he has denied for years.
Snow Paths
풍산개
Juhn Jai-hong
Yoon Kye-sang, Kim Gyu-ri
Poongsan has the unenviable - and death-defying - job of delivering messages across the North and South Korean border to separated families. When South Korean government agents ask him to smuggle in In-ok, the lover of a high-ranking North Korean defector, into the South, the damsel and rescuer fall in love instead.
Poongsan
조난자들
Noh Young-Seok
Jun Suk-ho, Oh Tae-kyung
In the dead of winter, a screenwriter travels to his friend's closed cabin resort in the mountain with the intention of working on his script. Instead of being alone, he finds himself in the company of annoying strangers, from intrusive townsfolk who welcome themselves in to vacationing skiers who won't take no for an answer. On top of that, mysterious sounds at night hint of something sinister in the woods. He realizes that he may have opened the door to a killer when dead bodies begin to turn up. Five years after his acclaimed debut Daytime Drinking, indie director Noh Young Seok returns with his second indie feature Intruders, applying dark comedy and satire to an unsettling cabin-in-the-woods suspense thriller.
Intruders
