Olivier Mathan

Ici S'élevait La Maison de Baudelaire

Olivier Mathan

It is a port familiar to 19th century artists and contemporary upstarts. It is also a very beautiful place, sometimes funny, often melancholy. The film has two parallel views, one tourist, the other personal.

Ce vo a pacienza a magna e carcioffole

Olivier Mathan

Bichromie

Olivier Mathan

These are two harmless objects, these are two views of these objects, one is in positive, the other in negative, the two views intermingle and by the number of photograms become rhythm trying to be a kind of abstract haiku

Etat des Lieux

Olivier Mathan

A simple overview in one take.

Suite Sans Suite À Suivre

Olivier Mathan

Stone cold and black in appearance but stone / ivy, like a labyrinth blinded by the rain which shimmers in lines of light, stone / ivy which diffuses a little geological water.

Au Bon Ceps

Olivier Mathan

A short four-day walk in Burgundy that takes the form of four three-minute reels - there is no editing after the shot.

Orient Extrême

Olivier Mathan

"A world of pain and sorrow even while the cherry trees are in bloom." Haïku d'Issa (18th century).

Ny By Om Red Zone

Olivier Mathan

"As if I had known where I was going, I seemed to choose again and I changed route, I took on my right another street, better lit," Broadway "than she was called. When the faithful enter their bank, do not believe that they can serve themselves like that according to their whim. Not at all. They talk to Dollar by whispering things to him through a small fence, they confess what! ” LF Céline, Journey to the end of the night.