Kay Francis
1905 - 1968Kay Francis (January 13, 1905 – August 26, 1968) was an American stage and film actress. After a brief period on Broadway in the late 1920s, she moved to film and achieved her greatest success between 1930 and 1936, when she was the number one female star at the Warner Brothers studio, and the highest paid American film actress. Some of her film related material and personal papers are available to scholars and researchers in the Wesleyan University Cinema Archives.
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Trouble in Paradise
Ernst Lubitsch
Miriam Hopkins, Kay Francis
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Trouble in Paradise
Hollywood Out-takes and Rare Footage
Stanley Sheff, Bruce Goldstein
Gig Young, Bud Abbott
Out-takes (mostly from Warner Bros.), promotional shorts, movie premieres, public service pleas, wardrobe tests, documentary material, and archival footage make up this star-studded voyeuristic look at the Golden age of Hollywood during the 30s, 40, and 50.
Hollywood Out-takes and Rare Footage
Complicated Women
Hugh Munro Neely
Jane Fonda, Frances Dee
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Complicated Women
Illusion
Lothar Mendes
Charles Rogers, Nancy Carroll
A vaudeville magician team is broken up when Carlee, an ex--circus performer, becomes infatuated with socialite Hilda Schmittlap. Meanwhile his vaudeville partner, Claire, has chosen a new partner, but her "heart isn't in it" because she is disconsolate over Carlee. Curious about her new act, Carlee attends a performance and sees Claire nearly killed when she fails to substitute fake bullets for real ones. Rushing to her aid, Carlee realizes how much Claire means to him.
Illusion
