Ulises de la Orden

Chaco

Ulises de la Orden, Juan Fernández Gebauer

"There was a time when carob trees were our founthead of life. When you could serenely see rabbits, armadillos and many other species. The night that the white man appeared the black eagle warned us: 'Danger, Danger'

Balnearios

Mariano Llinás

José Palomino Cortez, Verónica Llinás

An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.

Río arriba

Ulises de la Orden

Ulises de la Orden

Marea y viento

Ulises de la Orden

Filmed during a school year at the experimental school “Los Biguá” on the Banks of the Carapachay River, in the Argentine Delta. A school for parents. Another way of viewing education in a permanent state of caution: does the State allow this school to exist? How do we keep it running? The southeastern wind blows and the tide rises. A self-sustaining educational project based on developing children’s autonomy from an early age, run by teachers and parents.

Vilca, la magia del silencio

Ulises de la Orden, Germán Cantore

Ricardo Vilca was one of the most transcendent artists in the Argentinean north-west. However, his person and his music remained in the shadows to bigger audiences for years. Like a work of destiny, his songs arrived to Buenos Aires through the voice of important musicians such as León Gieco and Divididos. With unknown archival footage, Vilca is a journey through his story and a tribute, trying to better understand the sources of inspiration that sustain his music.

Tierra Adentro

Ulises de la Orden

Anahí Mariluán

A young Mapuche from Bariloche claims his identity and his culture. A Guluche journalist travels through these territories trying to recover the memories of the elders about the war and the massacre of his people. A historian from Buenos Aires finds in the archives the documents that allow him to prove who financed the army and what they obtained in return.