Victoria Abril
1959 (66 лет)Born in Madrid, Abril became widely known in Spain in 1976 when she appeared for two years in the show Un, dos, tres... responda otra vez. Besides working in Spain, she also made films in France, where she resides, Italy, and Iceland. She has been nominated eight times for Goya Awards in the Lead Actress category and has won once. She won the Silver Bear for Best Actress at the 41st Berlin International Film Festival for her role in Amantes. Two years later, she was awarded with the Berlinale Camera at the 43rd Berlin International Film Festival.
Victoria Abril performing on stage in 2006.
She is also a singer. In 2005, she made her debut with a bossanova-jazz album called PutchEros do Brasil. She also tried to represent Spain in the Eurovision Song Contest in 1979 with "Bang-Bang-Bang", but Betty Missiego was chosen instead.
Hécuba: un sueño de pasión
Arantxa Aguirre, José Luis López-Linares
Carmen Maura, Antonio Banderas
What we tend to identify with the acting profession has little to do with what is really this profession. Thirty-six Spanish actors reflect on their work and contrasted their experiences. As thread, the contrast between the voices of veterans and images of young theater students , for whom everything is still possible. Among the many actors are interviewed Javier Bardem, Antonio Banderas, Victoria Abril, Carmen Maura, Fernando Fernán Gómez, José Luis López Vázquez, José Coronado, Emma Suarez, Alberto San Juan, Ariadna Gil, Ana Belén, Pilar Lopez de Ayala and many other.
Hécuba: un sueño de pasión
La Barraca
León Klimovsky
Victoria Abril, Álvaro de Luna
Vicente Blasco Ibáñez wrote in 1898 "La barraca" (The Shack), a novel with some cultural significance among spanish literature for reflecting rural life at the end of 19th century with specific local color. In 1979, León Klimovsky directed an adaptation in the form of a mini-series .
The Shack
Bicycles are for the Summer
Jaime Chávarri
Amparo Soler Leal, Victoria Abril
In Madrid, the family of Don Luis, his wife Dolores and their children, Manolita and Luisito, share the daily life of the Civil War with their maid and neighbours. Despite having failed his exams, Luisito wants his father to buy him a bicycle. However, the situation forces them to delay the purchase and the delay, like the war itself, is to last much longer than expected.
Bicycles Are for the Summer
Law of Desire
Pedro Almodóvar
Eusebio Poncela, Carmen Maura
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
Law of Desire
La colmena
Mario Camus
Ana Belén, Concha Velasco
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.
The Beehive
High Heels
Pedro Almodóvar
Victoria Abril, Marisa Paredes
After being estranged for 15 years, flamboyant actress Becky del Paramo re-enters her daughter Rebeca's life when she comes to perform a concert. Rebeca, she finds, is now married to one of Becky's ex-lovers, Manuel. The mother and daughter begin making up for lost time, when suddenly, a murder occurs...
High Heels
Freedomfighters
Vicente Aranda
Ana Belén, Victoria Abril
At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.
Freedomfighters
Lovers: A True Story
Vicente Aranda
Victoria Abril, Jorge Sanz
Set in '50s Spain, a young man leaves the army and looks for a job so he and his fiancée can get married. He rents a room from a widow, and shortly begins a torrid affair with her. The fiancée figures it out and decides to win him back by offering herself to him and taking him to meet her family. Ultimately he has to make a decision. Based on a true story.
Lovers: A True Story
Et après?
Mohamed Ismail
Rachid El Ouali, Victoria Abril
Mustapha, a young Moroccan living on small shots, meets a couple of Spanish tourists. The latter dragged him into a heavy traffic of hashish. Forced to flee his country, he finds himself on a makeshift boat, among other men. They are determined to clandestinely reach the Spanish shores in the hope of a bright future.
Et après?
Nobody Will Speak of Us When We're Dead
Agustín Díaz Yanes
Victoria Abril, Pilar Bardem
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she tries to find work and earn some money.
Nobody Will Speak of Us When We're Dead
Incautos
Miguel Bardem
Victoria Abril, Ernesto Alterio
In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then tutelage from Lefty, an aging swindler. After some years of success, they're joined by Federico, the best, a true artist. Things go well until Pilar, a woman from Federico's past, re-enters his life with a proposal to con a golden goose - a swindle that will put them all on easy street. A double-cross may be in the cards. The flashback over, can Ernesto hold his own in the present?
Swindled
Une Époque Formidable…
Gérard Jugnot
Gérard Jugnot, Richard Bohringer
Michel Berthier, cadre supérieur d'une entreprise de matelasserie, vient d'être licencié. Comme il n'ose pas avouer la vérité à Juliette, sa compagne, il s'endette pour maintenir le niveau de la famille qu'il couvre de cadeaux. Mais il ne peut bientôt plus mentir et il décide alors de quitter la maison. Après avoir perdu son argent, sa voiture et ses chaussures, il rencontre Toubib, Mimosa et Crayon, trois «Sans Domicile Fixe» qui font leur toilette dans les lavabos de la gare de l'Est. Ils le prennent sous leur aile et l'entraînent à aller cambrioler son ancienne entreprise afin de se munir de duvets et de lits
Une époque formidable…
The 7th Day
Carlos Saura
Juan Diego, José Luis Gómez
Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a feud involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.
The 7th Day
Almodóvar, todo sobre ellas
Sergio G. Mondelo
Lucía Sánchez, Adriana Ugarte
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.
Almodóvar, todo sobre ellas
101 Reykjavik
Baltasar Kormákur
Victoria Abril, Hilmir Snær Guðnason
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
101 Reykjavik
