Marthe Keller
1945 (81 год)Keller's earliest film appearances were in Funeral in Berlin (1966, uncredited) and the German film Wilder Reiter GmbH (1967). She appeared in a series of French films in the 1970s, including Un cave (1971), La raison du plus fou (1973) and Toute une vie (And Now My Love, 1974). Her most famous American film appearances are her Golden Globe-nominated performance as Dustin Hoffman's girlfriend in Marathon Man and her performance as a femme fatale Arab terrorist who leads an attack on the Super Bowl in Black Sunday, both of them were ill-fated characters at the climax of each film. Keller also acted with William Holden in the 1978 Billy Wilder film Fedora. She appeared alongside Al Pacino in the auto racing film Bobby Deerfield, and subsequently the two of them were involved in a relationship. Since then, Keller has worked more steadily in European cinema compared to American movies. Her later films include Dark Eyes, with Marcello Mastroianni.
In 2001, Keller appeared in a Broadway adaptation of Abby Mann's play Judgment at Nuremberg as Mrs. Bertholt (the role played by Marlene Dietrich in the 1961 Stanley Kramer film version). She was nominated for a Tony Award as Best Featured Actress for this performance.
In addition to her work in film and theatre, Keller has developed a career in classical music as a speaker and opera director. She has performed the speaking role of Joan of Arc in the oratorio Jeanne d'Arc au Bûcher of Arthur Honegger on several occasions, with conductors such as Seiji Ozawa and Kurt Masur. She has recorded the role for Deutsche Grammophon with Ozawa (DG 429 412-2). Keller has also recited the spoken part in Igor Stravinsky's Perséphone. She has performed classical music melodramas for speaker and piano in recital. The Swiss composer Michael Jarrell wrote the melodrama Cassandre, after the novel of Christa Wolf, for Keller, who gave the world premiere in 1994.
Keller's first production as an opera director was Dialogues des Carmélites, for Opéra National du Rhin, in 1999. This production subsequently received a semi-staged performance in London that year. She has also directed Lucia di Lammermoor for Washington National Opera and for Los Angeles Opera. Her directorial debut at the Metropolitan Opera was in a 2004 production of Don Giovanni.
Keller has a son, Alexandre (born 1971), from her relationship with Philippe de Broca.
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Die Frau des Reporters
Heide Pils
Malena Doria, Miguel Ehrenberg
In the spring of 1980, Esther Jochmann, a young Austrian woman, flies to San Salvador. Her husband, a journalist, has been killed. She has to identify his corpse so that the authorities will allow it to be transferred to Europe. She learns that Archbishop Oscar Romero, who was also a victim of an assassination, had granted a taped interview to her husband. Padre Manuel hands the tape over to her. Esther accompanies the Padre and John, an American reporter, who are trying to find the murderers.
Die Frau des Reporters
Swan Song: The Story of Billy Wilder's Fedora
Robert Fischer
Marthe Keller, Michael York
In retracing the making of FEDORA, Robert Fischer’s documentary SWAN SONG: THE STORY OF BILLY WILDERʼS FEDORA adds yet another layer of comment and reflection on the film’s very own subject matter: 35 years after playing the romantic leads in FEDORA, Marthe Keller and Michael York look back at working with Billy Wilder – and their careers. Additional testimonies come from acclaimed cinematographer Gerry Fisher, producer Harold Nebenzal, Paul Diamond (son of Wilder’s writing partner I.A.L. Diamond), and German actor Mario Adorf.
Swan Song: The Story of Billy Wilder's Fedora
Par amour
Alain Tasma
Marthe Keller, Firmine Richard
Nicole Doucet is a gourmet chef. Everything is going well professionally for the young woman. Guillaume, her son, is a former drug addict whom she has lost sight of. The day he returns to her restaurant, she discovers that he is married to a woman much older than him. Nicole is suspicious of this idyll and fears that Guillaume will fall back into the infernal spiral of drugs.
Par amour
Modus Operandi
Hugues Lanneau
Marthe Keller, Chris Lomme
Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organised and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.
Modus Operandi
Tout va bien c'est Noël!
Laurent Dussaux
Marthe Keller, Julien Boisselier
Christmas? The joy of rejoining the family and spending the most anticipated holiday of the whole year. Seeing family members you haven't seen for a long time and spending the holidays together like when the children were little. But the children have grown up and have new things to tell. This news will turn the traditional family reunion into a hurricane. The coming out of the homosexual son is almost an outing, but one that testifies to the love that binds the two gay lovers together.
Tout va bien c'est Noël!
