Liz Rosenfeld

When We Are Together We Can Be Everywhere

Marit Östberg

Liz Rosenfeld, Sadie Lune

Liz walks between different rooms of the city. A bar, a toilet, a wasteland, a garden, a trailer. The cruising body can't, unlike the flaneur, be alone. She won't leave the world outside of her. Several eyes follow her: the women holding the cameras, the director. The director is sending her a love letter. The director needs her cruising body. They are a part of each others fantasies and share a dream about a city's possibility of providing safe sexy spaces. They travel together to look for the rooms in between, to find rooms of their desires.

Mixed Messages

Kanchi Wichmann

Cleo Jacobe, Liz Rosenfeld

A 36-year-old lesbian from London navigates Berlin's treacherous alternative scene.

Instinct

Ester Martin Bergsmark, Mad Kate

Mad Kate, Adrienne Teicher

A queer metaphysical love story that weaves itself through real and imagined sexual encounters across darkrooms, forest cruising zones and highway shoulders. In these fantastical playgrounds, bodies are free to imagine themselves in a multiplicity of forms as they encounter other bodies without preconceived notions of what those other bodies desire, what they will need, and how they should be touched. While trusting the energetic attraction of bodies towards each other and learning through the encounter, INSTINCT simultaneously asks: what does it mean for a queer body to actively (un)learn what it might assume about another body's sex, gender, and desire?

Fuck Tree

Liz Rosenfeld

After extensive research into the history, methodology and imagery of Luther Price’s film Sodom (1989), Rosenfeld created a portrait of an infamous tree which holds space for cruisers in London’s Hampstead Heath.

liz/james/stillholes

Liz Rosenfeld

An exploration of cruising glory holes, the clash between queer politics and queer desire, feminism, and general queer frustration.