Mario Ferrari
1894 - 1974
Traversata nera
Domenico Gambino
Camillo Pilotto, Germana Paolieri
"Black Crossing" - In an Oriental port a group of people embarks a trader designated for Europe. One of them, a shady individual, entrusts the captain with a box of valuables to be kept until the end of the journey.
Traversata nera
Ma non è una cosa seria
Mario Camerini
Vittorio De Sica, Elisa Cegani
Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.
But It's Nothing Serious
La tavola dei poveri
Alessandro Blasetti
Raffaele Viviani, Leda Gloria
A bankrupt aristocrat tries to keep up appearances while his situation worsens. To top it off the life savings given to him by a beggar to invest has been mistakenly claimed by the aristocrat's altruist society for their annual Feast of the Poor.
The Table of the Poor
1860 - I mille di Garibaldi
Alessandro Blasetti
Giuseppe Gulino, Aida Bellia
The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.
1860 - I mille di Garibaldi
Abuna Messias - Vendetta africana
Goffredo Alessandrini
Camillo Pilotto, Enrico Glori
The film takes place at the end of the 19th century. The Cardinal Guglielmo Massaia has spent 20 years in Ethiopia to convert people to the Catholic Church. He comes back to Italy and he tries to get the help of the government of Piedmont. The Count Cavour, although he appreciates the Cardinal's deeds in Africa, cannot grant his Cabinet's support to the Cardinal's plans. The missionary man, trusting the Divine Providence, goes back to Africa by himself. The Cardinal, who is known among the people as Abuna Messias, becomes a friend of king Menelik. The support of the king is fundamental to spread his word and accomplish his mission. The Head of the Coptic Church, Abuna Attanasio, does whatever he can to prevent Massaia from reaching his goals and to get him exiled from Ethiopia. Menelik refuses to help Abuna Attanasio, who decides to address the Emperor, thus igniting a war between the Emperor and his subject Menelik. In order to end the war, the Cardinal decides to leave Africa.
Abuna Messias - Vendetta africana
Me, Me, Me... and the Others
Alessandro Blasetti
Gina Lollobrigida, Silvana Mangano
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.
Me, Me, Me... and the Others
Donne senza nome
Géza von Radványi
Simone Simon, Vivi Gioi
Women Without Names (Italian:Donne senza nome) is 1950 Italian drama film directed by Géza von Radványi and starring Simone Simon, Vivi Gioi and Françoise Rosay.[1] It is set in a displaced persons camp after the Second World War. It was made at Cinecittà in Rome.
Women Without Names
Giuseppe Verdi
Raffaello Matarazzo
Pierre Cressoy, Anna Maria Ferrero
The life and loves of great composer Giuseppe Verdi are played against a background of the great operas of the 19th Century. A tender love story of his successful and turbulent life, with more than 20 excerpts from his acclaimed operas.
Giuseppe Verdi
Palio
Alessandro Blasetti
Guido Celano, Leda Gloria
It seems that Zarre (Guido Celano), the man chosen to be the jockey for the Lupa contrada, and fiance' to Fiora (Leda Gloria), becomes enamored of a cafe' chanteuse. Bachicche, the jockey of a rival neighborhood, wants to get even with Zarre for a past offense and enlists the help of the chanteuse, Liliana (Laura Nucci).
Palio
Tormento
Raffaello Matarazzo
Yvonne Sanson, Annibale Betrone
Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.
Tormento
Ettore Fieramosca
Alessandro Blasetti
Gino Cervi, Elisa Cegani
ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.
Ettore Fieramosca
