Tanoa Sasraku

Whop, Cawbaby

Tanoa Sasraku

Tanoa Sasraku

the presence of the artist’s body against the sublime Devon landscape throws into question ideas of “deep” England and what it means to claim ownership of the rural. Appliqued, paper banners, documented via 8mm film, act as key motifs in the film inspired by the visual and material structure of the Fante Asafo war flags of coastal Ghana, which the artist’s ancestors fabricated in resistance to British colonial rule.

O' Pierrot

Tanoa Sasraku

The life goal of Pierrot Mulatto (played by the artist) is to catch a giant sycamore seed that spins down every day from the arms of Harlequin Jack, a crazed black man in whiteface, driven mad by his own quest for British acceptance. Jack toys with Pierrot throughout the story, performing a satirical essence of white British sensibility whilst referencing early minstrel troupes’ caricatures of the post-slavery, black populace. Mixed-race Pierrot is encouraged to strive for her ‘white potential’ whilst battling rejection, rage, and the bending of time amidst the English countryside.