Yvonne Clech
1920 - 2010
The Fire Within
Louis Malle
Maurice Ronet, Léna Skerla
Although his alcoholism has been treated, Alain still feels he is deeply unwell and does not feel he can leave the detoxification clinic once and for all. His wife, living in New York, continues to pay for his treatment, but no longer contacts him directly. He intends to commit suicide, but first takes a ride to Paris to catch up with old friends.
The Fire Within
Life Upside Down
Alain Jessua
Charles Denner, Anna Gaylor
A Paris real estate developer feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality.
Life Upside Down
The Big Softie
Pierre Granier-Deferre
Jacques Perrin, Eva Renzi
A young man who lives with his aunt falls for a free-spirited German model in this uninspired drama. Although he runs off with her for the summer, he returns to his aunt to live off her money after the model and an old flame rekindle their romance. The story unfolds in a series of flashbacks.
The Big Softie
Jo
Jean Girault
Louis de Funès, Claude Gensac
Selling author, Antoine Brisebard is a victim of a blackmailer, Jo, which threatens to jeopardize his reputation by revealing the past of his wife Sylvia. While the latter must pass the same night to take possession of the money required, Brisebard accidentally kills ...
Jo
Zazie dans le Métro
Louis Malle
Catherine Demongeot, Philippe Noiret
A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.
Zazie dans le Métro
Rob the Bank
Jean Girault
Louis de Funès, Jean-Pierre Marielle
Shopkeeper Victor Garnier has naively invested his family's life savings in an African mine, on his banker's recommendation. When the mine is nationalized, rendering the stock worthless, he considers himself shamelessly robbed by the bank; it seems only fair to him to return the 'favor' and rob the bank, teaming up with the whole family as they were all duped. Even for professionals such an enterprise -he decides to dig a tunnel- is quite demanding, but for simple commoners it's daunting, as they also have their personal downsides; thus Victor's wife has a most unwelcome tendency to blurt out the truth, even to the grumpy local copper: a crazy risk when you need to keep a criminal plan secret.
Rob the Bank
L'Étrange Madame X
Jean Grémillon
Michèle Morgan, Henri Vidal
Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...
The Strange Madame X
L'assassin connaît la musique
Pierre Chenal
Paul Meurisse, Maria Schell
Lionel Fribourg, a great composer (at least that's what he thinks) has a problem with his noisy environment: he can't complete his unfinished symphony. Of course there is a market for unfinished symphonies but, for all he knows, only one became famous. So he had better find a way to finish it. At long last, he comes across Agnès, a divorced woman who agrees to let him her quiet home. Lionel, full of hope, resumes work...
L'assassin connaît la musique
Quand passent les faisans
Édouard Molinaro
Paul Meurisse, Michel Serrault
Arsène Baudu and Hyacinthe, a pair of small-time crooks, fall prey to Alexandre Larsan-Bellac, who involves them (against their will) in high-profile swindling, but their success is quite limited. For starters they are deceived by Mrs. Paterson, a charming widow. Later on, Ribeiro, a Portuguese contractor and former victim of the two crooks, traces them and forces them to work on one of his building sites for damages. Just then, Larsan-Bellac resurfaces with plans to lure Ribeiro once again. —Guy Bellinger
When the Pheasants Pass
La moucharde
Guy Lefranc, Bernard Toublanc-Michel
Dany Carrel, Georges Chamarat
La moucharde stars Dany Carrel as a young miss who loves neither wisely nor well. Duped into a life of crime, Carrel remains on the wrong side of the Law because she's hopelessly in love with a two-bit crook. Soon she becomes as jaded and hardened as her criminal cohorts. When the police threaten to throw her in the Bastille, Carrel agrees to turn informer, with the expected disastrous results.
Why Women Sin
Arsène Lupin contre Arsène Lupin
Édouard Molinaro
Jean-Pierre Cassel, Jean-Claude Brialy
André Laroche, an industrialist, has just passed away. Face to his grave, as he is being buried, Anne de Vierne, the wife of a magistrate, confesses to her son François that Laroche was in fact Lupin and that he is his natural child. But he is not the gentleman thief's only offspring! Lupin had indeed another son by a housemaid, Gérard Dagmar, a dancer, magician and - occasionally - burglar. Which complicates the task of François who, to respect the last wishes of the testator, has gone in search of the treasure of Poldavia. For he keeps finding Gérard on his way and his efforts are constantly thwarted by his half-brother. Will Gérard prevent François from becoming the worthy successor to their father or will the two young men decide to join forces? That is the question.
Arsène Lupin vs. Arsène Lupin
