Roy Ward Baker
1916 - 2010Baker's early career, from 1934 to 1939, was spent working for Gainsborough Pictures, a British film production company based in Islington, North London, famous for its prestige productions. His first jobs were menial - making tea for crew members, for example - but by 1938 he had risen through the ranks to work as assistant director on Alfred Hitchcock's The Lady Vanishes.
He served in the army during World War II, until transferring to the Army Kinematograph Unit in 1943 in order to make better use of skills developed in his pre-war career producing documentaries and teaching materials for troops. One of his superiors at the time was novelist Eric Ambler. It was he who gave Baker his first big break directing The October Man, from an Ambler screenplay, in 1947. Ambler also adapted Walter Lord's A Night to Remember for Baker's 1958 screen version.
During the early 1950s, Baker worked for three years in Hollywood where he directed Marilyn Monroe in Don't Bother to Knock (1952) and Robert Ryan in 3D film noir Inferno (1953). He returned to the UK for the latter part of the decade, but defected to television in the early 1960s.
He directed episodes of The Avengers, The Saint and The Champions - all adventure series created with an eye on the American market. The low-budget ethic of television production made him well-suited to his next career move into cheaply produced but lavish-looking British horror films. He directed, amongst others, Quatermass and the Pit (1967) The Vampire Lovers (1970) and Scars of Dracula (1970) for Hammer, and Asylum (1972) for Amicus.
In the latter part of the 1970s he returned to television, and throughout the 1980s continued to work in Television. He retired in 1992.
A Night to Remember
Roy Ward Baker
Kenneth More, Ronald Allen
The sinking of the Titanic is presented in a highly realistic fashion in this tense British drama. The disaster is portrayed largely from the perspective of the ocean liner's second officer, Charles Lightoller. Despite numerous warnings about ice, the ship sails on, with Capt. Edward John Smith keeping it going at a steady clip. When the doomed vessel finally hits an iceberg, the crew and passengers discover that they lack enough lifeboats, and tragedy follows.
A Night to Remember
Inside the Fear Factory
Roy Ward Baker, Freddie Francis
An overview of the history of Great Britain's Amicus Films, which was a rival of Hammer Studios in the horror field. Included are interviews with company co-founder Max Rosenberg, cameraman Freddie Francis and director Roy Ward Baker, and clips from various Amicus productions.
Inside the Fear Factory
Flesh and Blood: The Hammer Heritage of Horror
Ted Newsom
Peter Cushing, Christopher Lee
Explore the most legendary horror studio of all time with this fascinating, frightening journey hosted by terror titans Christopher Lee and Peter Cushing. England's most successful independent film company, the "fear factory" of Hammer Studios, has a history filled with feuds, censorship battles and streaks of luck both good and bad. Now the legacy of horror returns, featuring interviews with such Hammer legends as Raquel Welch, Veronica Carlson, Caroline Munro, Ingrid Pitt, Jimmy Sangster, Hazel Court, Martine Beswicke, Freddie Francis, Val Guest and Ray Harryhausen. Plus you'll be treated to behind-the-scenes home movies and nonstop shock scenes from over 40 classic films, including Horror of Dracula, Curse of Frankenstein, The Devil Rides Out, Curse of the Werewolf and many more! It's the definitive study of one of the greatest names in horror!
Flesh and Blood: The Hammer Heritage of Horror
Two Left Feet
Roy Ward Baker
Michael Crawford, Nyree Dawn Porter
Based on David Stuart Leslie's novel Two Left Feet is a story about Alan Crabbe (Michael Crawford a callow youth desperate for a date with any girl who can offer him the experience he lacks. Every time Alan tries a manful stride into the jungle of sex, his two left feet turn the attempt into a trip-and-stumble. Then he meets Eileen (Nyree Dawn Porter), the new waitress at the corner cafe, who signal unmistakable messages with her large inviting eyes.
Two Left Feet
Inferno
Roy Ward Baker
Robert Ryan, Rhonda Fleming
When selfish and arrogant millionaire Donald Carson fractures his leg during a desert vacation, his wife, Geraldine, leaves with their friend Joseph Duncan to supposedly get help. However, the two of them are really lovers who are leaving Carson to die in the heat. Slowly, Carson realizes he is on his own and vows revenge on the traitorous couple. Having had a privileged life, Carson must now use his wits to stay alive.
Inferno
The House in the Square
Roy Ward Baker
Tyrone Power, Ann Blyth
Atomic scientist Peter Standish travels back in time to 1784, an era he has read about in his forefather's diaries. He falls in love with his forefather's cousin Helen but his contemporaries of 1784 are perplexed by his strange talk and the odd knowledge he possess. Remake of Berkeley Square (1933).
The House in the Square
The October Man
Roy Ward Baker
John Mills, Joan Greenwood
Jim Ackland, who suffers from a head injury sustained in a bus crash , is the chief suspect in a murder hunt, when a girl that he has just met is found dead on the local common, and he has no alibi for the time she was killed.
The October Man
The Anniversary
Roy Ward Baker
Bette Davis, Sheila Hancock
Mrs Taggart always celebrates her anniversary with her grown sons. It’s a tradition practised since the death of her husband and she is determined for it to continue. None of her three sons have dared to cross their ruthless domineering mother but this anniversary they intend to try. With cruel and brutal twists, the family get-together becomes a social nightmare beyond endurance.
The Anniversary
Don't Bother to Knock
Roy Ward Baker
Richard Widmark, Marilyn Monroe
Jed, an airline pilot, is resting in a hotel when he notices Nell, a young woman babysitting for a wealthy couple. As Jed gets to know Nell better he realises that the woman is not as stable as perhaps she should be.
Don't Bother to Knock
Jacqueline
Roy Ward Baker
John Gregson, Kathleen Ryan
Jacqueline is the daughter of Belfast shipyard worker Mike McNeil. The worker's worth is compromised by his crippling fear of heights. Dismissed from his job, he finds solace in the bottle. All seems hopeless until Jacqueline breaks through her father's self-imposed gloom and helps him to regenerate. An adaptation of the novel 'A Grand Man', by Catherine Cookson.
Jacqueline
Flame in the Streets
Roy Ward Baker
John Mills, Sylvia Syms
Flame in the Streets is a 1961 British drama film directed by Roy Ward Baker. Racial tensions manifest themselves at home, work and on the streets during Bonfire Night in the burgeoning West Indian community of early 1960s Britain. Trades union leader (Mills) fights for the rights of a black worker but struggles with the news that his own daughter is planning to marry a West Indian, much against his own logic and the prejudice of his wife.
Flame in the Streets
The Valiant
Roy Ward Baker
John Mills, Ettore Manni
Having placed mines on the hull of a British warship whilst it is safe in harbour during the second World War , the two man crew of an Italian miniature submarine are captured and held prisoner whist the crew try and discover the nature of their mission!
The Valiant
Dr Jekyll & Sister Hyde
Roy Ward Baker
Ralph Bates, Martine Beswick
In foggy London Dr Jekyll experiments on newly deceased women determined to discover an elixir for immortal life. Success enables his spectacular transformation into the beautiful but psychotic Sister Hyde who stalks the dark alleys of Whitechapel for young, innocent, female victims, ensuring continuation of the bloodstained research. With each transformation Sister Hyde becomes the more dominant personality, determined to eventually suppress the frail, ineffectual Dr Jekyll forever.
Dr Jekyll & Sister Hyde
