Gleb Panfilov
1934 (92 года)The Beginning
Gleb Panfilov
Inna Churikova, Valentina Telichkina
A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of Baba Yaga in the amateur theatre — and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.
The Beginning
Vassa
Gleb Panfilov
Inna Churikova, Vadim Medvedev
Screen adaptation of the play by Maxim Gorky "Vassa Zheleznova". Saga of the death of a merchant family. For many years, Vassa Zheleznova has been leading the family business and, despite the inconspicuous children, her dissolute husband, alcoholic brother, and revolutionary daughter-in-law, is trying to maintain at least the appearance of a normal family... 1913 is coming, and everything that was dedicated to her life is wrecked.
Vassa
Mother
Gleb Panfilov
Inna Churikova, Viktor Rakov
The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" (Inna Tchourikova) has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel (depicted Viktor Rakov as an adult, Sacha Chichonok as a boy). After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.
Mother
The Theme
Gleb Panfilov
Mikhail Ulyanov, Inna Churikova
In search of inspiration and new topics, the famous metropolitan writer Kim Yesenin goes to the province. Unexpectedly for himself, he discovers that here people live very differently than in the world familiar to him. By chance, he witnesses someone else's love drama - dissident Andrei and intellectual Sasha, who is leaving for America. He is shocked by this complex conflict and fictitious problems, where there is no place for either melancholy or depression. In this situation, the hero decides to go to Moscow...
The Theme
Прошу слова
Gleb Panfilov
Inna Churikova, Nikolai Gubenko
The mayor of a village sees her son killed in a gun accident. A successful, dedicated bureuacrat, she must reconcile her desire to build a bridge - and the new housing that will come with it - with the reality of resistance from the townspeople and her own grief.
I Wish to Speak
Без вины виноватые
Gleb Panfilov
Inna Churikova, Andrey Kharybin
In a small provincial town, a famous actress comes on tour, who once fled from here from the shame of unhappy love. Many years ago, she was forced to leave her illegitimate son to raise strangers. Therefore, when a talented and reckless young actor appears on the way of a now rich and famous woman, she certainly wants to help him. The actress begins to take an active part in the fate of the young man.
Guilty Without Guilt
Иван Денисович
Gleb Panfilov
Filipp Yankovsky, Arthur Beschastny
100 Minutes is the tale of thousands of Soviet soldiers who fought the Nazis and whose only ‘crime’ was to get caught. Stalin’s justice meted out on the prisoners who returned home was swift: ten years of forced labour in the Siberian camps. Why then would prisoners like Ivan Denisovich fight to stay alive to face another day of hell?
100 Minutes
Хранить вечно
Gleb Panfilov
Evgeny Mironov, Dmitriy Pevtsov
Diplomat Volodin is going to work in the States for a responsible job. But, having crossed the ocean, he immediately went over to the Americans. And not empty-handed: he calls the American embassy from a pay phone and gives the appearance of a Soviet intelligence officer. The traitor is sure that he will not be identified “by the phone's strangled voice. There can be no such technology. But, on the instructions of the Chekists, such a technique was developed in Marfino's "sharashka" near Moscow by convict engineers and scientists.
Keep Forever
