Film director Yannick Koller: biography, career, and where

Snail

Yannick Koller

The shots were taken during a four-hour performance in the forest ('Bio-striptease' by Katia Feltrin), where snails devour a dress of lettuce sewn directly on the skin. The plant tissue gradually disappears, leaving only a structure of threads. The film chews the rhythm of the performance to digest it into a condensed of tight images, crushed between the blur and the net, and which burst under the voracious eye of the gastropod.

Snail

2001

Motion

Yannick Koller

Movements of water and light.

Motion

2000

Reflection

Yannick Koller

Capturing the architecture of the city through its own mirrors produces a visual echo: condensation and distortion of the images alternate through the play of projection, reverberation, and diffraction.

Reflection

2003

Compostum

Yannick Koller

Meaning cemetery in Latin, an architectural exploration of alignment and perspective.

Compostum

2003

Ochre

Yannick Koller

Abrupt and unstable touches on a rich ocher and raw surface in a construction site on a windy day. The images invite everyone to physically feel the ocher substance.

Ocher

2003

City Move

Yannick Koller

Urban travel in three successive parts: Day, Night, Day.

City Move

2002

Night Lights

Yannick Koller

An artificial constellation sparkles in a variation of micro-movements that interfere with a luminescent macro-mass which is also in movement. Visual dissonance, phase shift, and divergence of light sources emerge.

Night Lights

2003