Sylvia Chang
1953 (71 год)
Bo sai xi yang qing
Patrick Lung Kong
Sylvia Chang, Alan Tang
Mitra was the first Hong Kong film to be made in Iran and the last of Lung Kong’s directorial works to be released theatrically. Made in an act of courage and of opportunism with a small crew on the occasion of the director’s sojourn to the Tehran International Film Festival to premiere Hiroshima 28, the film tells a love story set upon the expansive desert backdrops of the Middle East.
Mitra
高粱地裡大麥熟
Yang Li-kuo
Sylvia Chang, Don Wong Tao
A touching story about a strong-willed woman who endures much pain and suffering in caring for her feeble husband and new born child. Her gallant efforts are not only shunned upon by her husband, they are left unappreciated.
The Story in Sorghum Field
冲天
Zhaowei Zhang
Sylvia Chang, Chin Shih-Chieh
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
The Rocking Sky
飲食男女
Ang Lee
Sihung Lung, Yang Kuei-Mei
A retired and widowed Chinese master chef Chu and his family live in modern day Taipei, Taiwan. He lives with his three attractive daughters, all of whom are unattached. Soon, each of the daughters encounter new men in their lives. When these new relationships blossom, stereotypes are broken and the living situation within the family changes. Since the family has difficulty expressing their love for each other, the intricate preparation of banquet quality dishes for their Sunday dinners is the surrogate for their familial feelings.
Eat Drink Man Woman
乘着光影旅行
Chiang Hsiu-Chiung, Kwan Pung-Leung
Shu Qi, Mark Lee Ping-Bing
Focusing on Mark Lee Ping-bin, one of the most talented and prolific cinematographers in Asia, the movie details the itinerant lifestyle of a deeply observant and philosophical artist and the tolls that his profession takes on his family life.
Let the Wind Carry Me
新不了情
Derek Yee Tung-Sing
Lau Ching-Wan, Anita Yuen
Unable to make it as a commercial success because he staunchly refuses to sell out, a struggling Hong Kong musician rediscovers his love of music and regains an interest in his life's meaning through his relationship with a dying girl.
C'est La Vie Mon Cheri
The Red Violin
François Girard
Carlo Cecchi, Irene Grazioli
300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.
The Red Violin
今天不回家
Sylvia Chang
Sihung Lung, Gua Ah-leh
The Chen family contagiousness extends to taking on an extra-marital affair. Gua Ah-leh is at the movie's centre: she shines as Lung's wife, who finds she has a thing or two to learn from the gigolo after Lung blithely. Lang Hisung plays old dentist for broad comedy he is sixty years old.
Tonight Nobody Goes Home
好好拍電影
Man Lim-Chung
Ann Hui, Nansun Shi
One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.
Keep Rolling
那時．此刻
Yang Li-chou
Gwei Lun-mei, Ivy Ling Po
In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.
The Moment: Fifty Years of Golden Horse
相爱相亲
Sylvia Chang
Sylvia Chang, Lang Yueting
When Huiying hears that her mother's dying wish is to be buried next to her husband, she discovers that his remains are in the countryside and cared for by his first wife. A conflict ensues, and Huiying's daughter, an intrepid reporter, breaks the story as the three women search for proof of love.
Love Education
無涯：杜琪峯的電影世界
Ferris Lin
Johnnie To, Andy Lau
As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.
Boundless
白鴿計劃：台灣新電影二十年
Hsiao Chu-chen
Sylvia Chang, Hou Hsiao-hsien
Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.
Our Time, Our Story
