Emmanuelle Riva
1927 - 2017Emmanuelle Riva was a French actress, best known for her roles in the films Hiroshima mon amour and Amour.
In 2013, Riva won the BAFTA Award and the César Award for her lead role in Michael Haneke's Amour as Anne Laurent, and was nominated for the Academy Award for the same role.[2][3] She had previously been nominated for a BAFTA Award in 1960 for Hiroshima mon amour, and had won Best Actress at the Venice Film Festival in 1962 for Thérèse Desqueyroux.
Amour
Michael Haneke
Jean-Louis Trintignant, Emmanuelle Riva
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Amour
Hiroshima Mon Amour
Alain Resnais
Emmanuelle Riva, Eiji Okada
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Hiroshima Mon Amour
Three Colors: Blue
Krzysztof Kieślowski
Juliette Binoche, Benoît Régent
Julie is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier, an old friend who harbors a secret love for her, and who could draw her back to reality.
Three Colors: Blue
Kapo
Gillo Pontecorvo
Susan Strasberg, Laurent Terzieff
Determined to survive at any price, Edith, a young Jewish woman deported to an extermination camp, manages to survive by accepting the role of kapo, a privileged prisoner whose mission is to ruthlessly guard other prisoners.
Kapo
Léon Morin, Priest
Jean-Pierre Melville
Jean-Paul Belmondo, Emmanuelle Riva
The widow Barny lives in Nazi-occupied France, looking after her half-Jewish daughter in a small village. When the Germans arrive, she decides to baptize her and chooses priest Léon Morin to do so. After spending some time with him, the relationship with her confessor turns into a confrontation with both God and her own repressed desire.
Léon Morin, Priest
Michael H. – Profession: Director
Yves Montmayeur
Michael Haneke, Isabelle Huppert
Over the past twenty-five years, director Michael Haneke has established himself as a towering figure in modern cinema whose rigorous focus on the craft of filmmaking has produced works of profound artistry. This career-spanning documentary gives unprecedented access and covers the body of Haneke’s work, offering insight into his creative process through on-set footage and interviews with the man himself and collaborators including Emmanuelle Riva, Isabelle Huppert and Juliette Binoche.
Michael H. – Profession: Director
Risky Business
André Cayatte
Jacques Brel, Emmanuelle Riva
A teenage girl accuses her primary schoolteacher, Jean Doucet (Jacques Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct – one confessing to be his mistress. Doucet faces trial and hard labor if convicted.
Risky Business
Trintignant par Trintignant
Lucie Cariès, Yves Jeuland
Anouk Aimée, Jean-Louis Trintignant
A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
Trintignant by Trintignant
Therese
Georges Franju
Emmanuelle Riva, Philippe Noiret
Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.
Therese
Far from Brazil
Tilly
Emmanuelle Riva, Jenny Clève
Since her husband left to live in Brazil years ago, Juliette has lived alone in a vast Normandy estate, with only a grumpy housekeeper, Honorine, for company. Nevertheless, she puts on a happy face and looks forward to the traditional Mother's Day celebrations with her five children and their offspring. Benoît arrives first, accompanied by his boyfriend, Kim. Then come Isabelle, married to a gym teacher, and Laurent, her twin brother. Still missing are Sophie, the family's star TV journalist, and Marc, the eldest son, a wealthy businessman. Relations between the siblings are rather strained, until Juliette learns that her husband, seriously ill, has returned from Brazil and invites them all to his home.
Far from Brazil
Les grandes familles
Denys de La Patellière
Jean Gabin, Annie Ducaux
Фильм снят по одноимённому роману Мориса Дрюона. Фильм также известен под названием «Великие семьи». Мультимиллионер Ноэль ворочает делами процветающей бизнес-империи, имеющей свой интерес в самых разных отраслях, вплоть до издания газет. В целях поддержания и укрепления своих позиций Шудлер активно использует связи в верхах и даже политические рычаги. Он не отягощается нравственными идеалами, ориентируясь лишь на достижение выгоды. Ноэль ощущает себя настоящим монархом и выражает недовольство реформаторскими идеями своего сына Франсуа. Решив преподать ему примерный урок, он и не подозревает, что это приведет к поистине трагическим последствиям…
The Possessors
Mon fils à Moi
Martial Fougeron
Nathalie Baye, Olivier Gourmet
Julien and his mum care for each other very much. But Julien has committed a deadly sin: he is growing into a teenager! Worse, he has found himself a girlfriend of his age. "Mummy" is not going to tolerate such an ignominy. Julien is HER baby and will remain HERS for ever, encouraged in her "crusade" by her bovine husband and barely thwarted by the more courageous interventions of Suzanne, Julien's sympathetic big sister.
My Son
