Howard Ross
1941 (85 лет)Born in Rome, Rossini got his first major roles in peplum films. In the mid-1960s he eventually adopted the stage name Howard Ross. He was mainly active in genre films, specializing in adventure films, giallo films and poliziotteschi.
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The Battle of Neretva
Veljko Bulajić
Orson Welles, Yul Brynner
In January 1943 the German army, afraid of an Allied invasion of the Balkans, launched a great offensive against Yugoslav Partisans in Western Bosnia. The only way out for Partisan forces and thousands of refugees was the bridge on the river Neretva.
The Battle of Neretva
O Cangaceiro
Giovanni Fago
Tomás Milián, Ugo Pagliai
Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a (crazy?) hermit who thinks he has been sent (= espedito) by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired (and of course double-crossed) by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …
The Magnificent Bandits
La ragazza dal pigiama giallo
Flavio Mogherini
Ray Milland, Dalila Di Lazzaro
Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they're wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together?
The Pyjama Girl Case
Oh, Serafina!
Alberto Lattuada
Renato Pozzetto, Dalila Di Lazzaro
Augusto Valle is a successful young industrialist who weds Palmira, the girl working in his factory, and the two have a child despite the infant's uncertain legitimacy. Scheming to control her husband's fortune, Palmira has affairs with both the mayor and the judge to have Augusto committed to a mental institution. While there, he falls in love with Serafina Vitali, a young woman who was also put away.
Oh, Serafina!
L'immoralità
Massimo Pirri
Lisa Gastoni, Howard Ross
Federico is a child-killer running from the law. Wounded, he is taken in by an 11 year old girl named Simona. Their strange love affair is interrupted by Simona's depressed, oversexed mother Vera, who concocts a plan with Federico to kill her wheelchair-bound, reclusive husband. Simona does not take kindly to this new relationship between Federico and Vera.
L'immoralità
Un hombre llamado Noon
Peter Collinson
Richard Crenna, Stephen Boyd
Noon is a gunfighter who has become amnesiac. Helped by Rimes, an outlaw who has befriended him, he tries to figure out who he is actually. It gradually appears that his wife and kid have been murdered. As time goes by, Noon also recalls a fortune hidden somewhere. Niland, a scheming judge, and Peg Cullane, a greedy will do everything to prevent Noon and Rimes from achieving their end while Fan Davidge, a woman living in a ghost town, will support them.
The Man Called Noon
Le calde notti di Lady Hamilton
Christian-Jaque
Michèle Mercier, Richard Johnson
The Making of a Lady: The Story of Lady Hamilton is a 1968 historical drama film directed by Christian-Jaque and starring Michèle Mercier, Richard Johnson and John Mills.[1] It was based on the novel La San-Felice by Alexandre Dumas and depicts the love affair between Emma Hamilton and Horatio Nelson. It was a co-production between Italy, West Germany, France and the United States.
Emma Hamilton
Starblack
Giovanni Grimaldi
Robert Woods, Elga Andersen
Starblack is a hero who dresses in black and his face is covered by a black scarf and he carries in his shirt a black star, which he always leaves at the scene of his enterprises, as a symbol of justice. Soucre: SWDB www.spaghetti-western.net
Johnny Colt
