Nüvit Özdogru
2021Ah, Beautiful Istanbul
Atıf Yılmaz
Ayla Algan, Sadri Alışık
The lovely Ayşe moves from her country village to Istanbul in the hope of becoming an actress. One day she meets Haşmet, a grumpy, world-weary street photographer. He takes it upon himself to cure Ayşe of what he sees as her blind optimism, but some of it begins to rub off on the old cynic.
Oh, Beautiful Istanbul
Zombie ja kummitusjuna
Mika Kaurismäki
Silu Seppälä, Marjo Leinonen
Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?
Zombie and the Ghost Train
Clock Tower
Ömer Kavur
Mehmet Aslantuğ, Şahika Tekand
A Turkish watchmaker is employed to mend a village clock that has not worked for some seven years. However, what seems like a simple and un-exciting task is plunged into a web of mystery and intrigue when the watchmaker innocently witnesses the murder of a beautiful woman on his first day in the village.
Journey on a Clock Hand
Sen de Gitme
Tunç Başaran
Olivia Bonamy, Cezmi Baskın
In 1930s Antioch during the last days of French Mandate of Syria, Please Don't Leave is the story of Triyandafilis, a fifteen year old mentally disabled daughter of a French merchant named Antoin. Triyandafilis, Not having much freedom because of her situation she spends most of her time locked up in the mansion.
Please Don't Go
Av Zamanı
Erden Kıral
Aytaç Arman, Şerif Sezer
During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.
Hunting Time
