Christiane Minazzoli
1931 - 2014
Casque d'or
Jacques Becker
Simone Signoret, Serge Reggiani
Ex-convict Georges Manda returns to the free world determined to go straight and takes a steady job as a carpenter. Unable to completely shake his connections with the underground, he meets with a former prison mate, older gangster Félix Leca, who introduces him to his mistress, the sweet but guarded Marie "Casque d'Or". Marie and Georges fall into a passionate relationship, driving Félix to do everything in his power to ruin the couple.
Casque d'Or
Betty
Claude Chabrol
Marie Trintignant, Stéphane Audran
Drunk, Betty is feeling worse and worse, the previous evening is slowly coming back to her: her husband and her husband's family had criticized her harshly, had sent her away. But Betty hadn't wanted to get married in the first place. She knows that she always ruined everything, that she drinks to much, that she has had several affairs. Laure, who is taking care of her, suggests that Betty stay with her in the hotel where she lives, as long as Betty would like. Laure, too, finds solace and companionship in alcohol.
Betty
Madame Bovary
Claude Chabrol
Isabelle Huppert, Jean-François Balmer
Bored with the limited and tedious nature of provincial life in 19th-century France, the fierce and sensual Emma Bovary finds herself in calamitous debt and pursues scandalous sexual liaisons with absolute abandon. However, when her volatile lifestyle catches up to her, the lives of everyone around her are endangered.
Madame Bovary
Trois places pour le 26
Jacques Demy
Yves Montand, Mathilda May
In a charming mixture of fantasy and reality, this film recalls the great musicals of Hollywood's Golden Age. Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime
Three Seats for the 26th
Un homme libre
Roberto Muller
Gilbert Bécaud, Olga Georges-Picot
Henri's wife has divorced him. While Henri is not excessively upset about the divorce, he is sad, hates to be alone, and dislikes the sorts of wrenching changes that are being forced on him. Indeed, his ex-wife cannot get him to leave their shared quarters by the court deadline without having a terrific row with him. When he finally leaves, he leans a great deal on his 10-year-old daughter for company, comfort and support. She gets used to that and has to make adjustments when Henri gets a new woman in his life.
A Free Man
