Gilles Ségal
1932 - 2014Source: Article "Gilles Ségal" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Soleil O
Med Hondo
Robert Liensol, Theo Legitimus
The film Soleil Ô, shot over four years with a very low budget, tells the story of a black immigrant who makes his way to Paris in search of “his Gaul ancestors”. This manifesto denounces a new form of slavery: The immigrants desperately seek work, a place to live, but find themselves face to face with indifference, rejection, humiliation…until the final call for uprising. “Soleil Ô” is the title of a West Indian song that tells of the pain of the black people from Dahomey (now Benin) who were taken to the Caribbean as slaves.
Oh, Sun
Topkapi
Jules Dassin
Melina Mercouri, Peter Ustinov
Arthur Simon Simpson is a small-time crook biding his time in Greece. One of his potential victims turns out to be a gentleman thief planning to steal the emerald-encrusted dagger of the Mehmed II from Istanbul's Topkapi Museum.
Topkapi
L'année de mes sept ans
Irène Jouannet
Clémence Meyer, Marie-José Nat
My name is Hélène and 1952 was not an easy year for me. First, because my parents decided to leave Montpellier for Paris but without taking me and my big brother Michel along with them. Why, I don't know... The fact remains that I had to leave the south for Lille, in the North, where my grandmother Yaya (her true name is Alice but this is the way call her) and my grandfather Georges were living. What I disliked most was that Yaya had a preference for Michel and that Granddaddy was too grumpy. In Lille I also got very upset when pupils at the catholic school I attended told me I was... Jewish. Jewish? I didn't even know that Jews even existed. And when I knew better about them (Michel was more informed than I was), what a shock it was when I learned that my two other grandparents had been sent to a concentration during the war. A little too much for a little girl like me. A sure thing is that I will never forget the year 1952, the year when I was seven...
The Year when I Was Seven
Третья молодость
Isaak Menaker, Jean Dréville
Gilles Ségal, Oleg Strizhenov
Paris, the middle of the XIX century. Young Marius Petipa is going on a long journey to St. Petersburg, where he is invited to become the first dancer. He doesn't know that his life will develop both happily and dramatically, and his work will be the glory and pride of Russian ballet.
Nights of Farewell
A Walk with Love and Death
John Huston
Anjelica Huston, Assi Dayan
Attempting to evade the turmoil of France's Hundred Years' War, Parisian student Heron of Foix decides to journey to the sea. En route, he meets the pretty aristocrat Lady Claudia, and the couple begin a romance amid the intense conflict. As the struggle between peasants and noblemen rages on, Heron and Claudia take shelter at a monastery -- but even their newfound love can't completely keep the horrors of war at bay.
A Walk with Love and Death
Enigma
Jeannot Szwarc
Martin Sheen, Brigitte Fossey
Five highly-trained KGB agents are sent to the west to assassinate several Soviet dissidents. In order to stop the diabolical plot, an American agent must infiltrate Soviet intelligence and obtain information from a Russian computer.
Enigma
Les Fleurs du Miel
Claude Faraldo
Brigitte Fossey, Gilles Ségal
On the hill in Saint-Cloud, in a broad street bordered by residences, a delivery man is going through the back of his van. He prepares the delivery: wine, water, alcohol... After checking the order he routinely loads the crate on his shoulder and strides under his load through a small delivery gate in the wall of a garden, he rings and enters... All the action will take place in one night, a single night, in this bourgeois house in Saint-Cloud.
The Honey Flowers
La maison de Nina
Richard Dembo
Agnès Jaoui, Sarah Adler
Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.
Nina's House
