
Marian Opania
1943 (83 года)Description above from the Wikipedia article Marian Opania, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Dekalog, osiem
Krzysztof Kieślowski
Maria Koscialkowska, Teresa Marczewska
Zofia, a professor of ethics, is visited by Elżbieta, an American researching the fate of Jews who survived World War II. A daytime classroom conversation turns into a night of confrontation, and Zofia is forced to answer for a decision she made decades ago that directly affected the course of Elżbieta’s life.
Decalogue VIII
Atlas
Maciej Kawalski
Magdalena Pociecha, Tomasz Kot
A remote, and a bit crazy to be honest, psychiatric hospital receives a curious patient —one who he doesn’t move nor speak but spends his days standing with his hands up. The only thing known is his nickname — “The Atlas”. In a word, he is a riddle and riveting one at that, like an itch you cannot quite scratch. Theories and informed-and-fact-based-gossip flourish all around the place. As luck would have it, so does the conflict as what to do with him. The situation is close to exploding, but the Atlas won’t stir. Or will he?
The Atlas
The Mother of the Kings
Janusz Zaorski
Magda Teresa Wójcik, Zbigniew Zapasiewicz
Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.
The Mother of the Kings
Man of Iron
Andrzej Wajda
Jerzy Radziwiłowicz, Krystyna Janda
In Warsaw in 1980, the Communist Party sends Winkel, a weak, alcoholic TV hack, to Gdansk to dig up dirt on the shipyard strikers, particularly on Maciek Tomczyk, an articulate worker whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
Man of Iron
Rozmowy Kontrolowane
Sylwester Chęciński
Stanisław Tym, Irena Kwiatkowska
Ryszard Ochódzki receives a special assignment for UB - infiltrating the "Solidarity" party branch in Suwałki. His arriving there coincides with the imposition of martial law on Poland.
Controlled Conversations
Love at Twenty
François Truffaut, Shintarô Ishihara
Jean-Pierre Léaud, Marie-France Pisier
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Love at Twenty
Piłkarski poker
Janusz Zaorski
Janusz Gajos, Małgorzata Pieczyńska
Laguna (Janusz Gajos) was once a great soccer player whose career was interrupted by an injury. He spent years climbing the ranks to become an international referee. He sees the prevailing arrangements, manipulations, and bribery around him. Now desperate, he decides to stage an extraordinary culmination of his career: he wants to create a so-called "miracle Sunday" by "printing" the final round of games - taking substantial bribes from the interested clubs and manipulating the matches so that the results align in the order he set up.
Soccer Poker
Lalka
Wojciech Has
Beata Tyszkiewicz, Mariusz Dmochowski
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
The Doll